Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of epoxy.

The Forest (La forêt), 1969

Jean Dubuffet

A work made of bronze.

The Tin Hat, c. 1916

Jacob Epstein

A work made of oil on plaster.

Stakim, c. 1928

Paul Klee

A work made of charcoal and oil on canvas.

Three Love Birds, 1930

Ivan Albright

A work made of gouache and oil on hardboard.

The Courtesans, c. 1950

Leon Golub

A work made of oil on canvas.

Lights of Other Days, 1906

John Frederick Peto

A work made of oil on canvas.

Cyclops, 1947

William Baziotes

A work made of oil on canvas.

Jim and His Daughter, 1923

Walter Ufer

A work made of paint, plaster, costume-jewelry ring, and tobacco tin.

Puériculture, mid–1940s (conceived c. 1921)

Man Ray (Emmanuel Radnitzky)

A work made of oil on canvas.

Woman with a Fan, 1913

Jean Metzinger

A work made of acrylic on metal.

Lip Thrashed, 1972

Jim Nutt

A work made of acrylic on fiberglass and plywood.

The Chicago Panels, 1989/99

Ellsworth Kelly

A work made of granite.

Wild Boars, 1929

Heinz Warneke

A work made of oil on canvas.

Unemployment Agency, 1957/58

Seymour Rosofsky

A work made of box construction.

Yellow Chamber, 1950/51

Joseph Cornell

A work made of pine, plywood, galvanized iron pipe and fittings, faucet handle, cast-lead soldier, aluminum alkyd enamel, and wheels.

Angry Young Machine, 1959

H. C. Westermann

A work made of stained wood box with glass front, light bulb, tree bark, glitter or glass chips, glass, colored-paper image adhered to a wood form, and twigs.

Untitled (Lighted Dancer), c. 1949

Joseph Cornell

A work made of oil and graphite on canvas.

Nude, 1937

Edwin Walter Dickinson

Painting of house amongst flowering trees painted with quick strokes of pastel colors.

House and Flowering Cherry Trees, Hamburg, 1907

Auguste Herbin

A dramatically skewed perspective captures mostly sky and a red-fruited tree in paint. A tilted, unresolvable view of a blue hill, or maybe a tree-topped walled garden, with black triangular voids at the corners of the frame. A tiny figure, a motif of squares.

Correct Me If I'm Wrong, 1999

Amy Sillman

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