Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of oil on canvas.

The Blue Forest, 1925

Max Ernst

A work made of painted plaster with gold leaf.

Cobalt and Gold Study II, 1978

Lynda Benglis

A work made of bronze.

Pieta, Modeled 1931, cast 1932

Alfeo Faggi

A work made of oil on canvas.

Portrait of Daniel Hudson Burnham, 1920–30

Arvid Frederik Nyholm

A sculptural work hanging off the wall suggesting a fragmented and bloody body, a torso with heard, and a pair of legs and arms hanging separately.

Untitled, 1988

Kiki Smith

Collage style painting on glass, purple figure with large nose.

Miss E. Knows, 1967

Jim Nutt

A work made of color woodblock print; naga-oban.

Geisha (Geigi), from the series “Three Amusements of Contemporary Beauties" ("Tosei bijin san’yu"), c. 1800

Kitagawa Utamaro

A work made of 16mm anamorphic color film, optical sound; 4 min. loop.

Disappearance at Sea II, 1997

Tacita Dean

A work made of oil on canvas.

Cross and Weather Vane, 1935

Arthur Dove

A marble bust of Christ's face in agony: the face is vertically elongated, and other features are exaggerated, including deeply inset eyes and full lips. On the hairline is a crown of thorns carved in relief.

Man of Sorrows, 1950

Marion Perkins

A work made of oil on canvas.

This Ichnolite of Mine, 1940

Ivan Albright

A work made of enamel and copper on wood.

Untitled, 1959

Richard Maris Loving

A work made of oil on canvas.

29 June 1965, 1965

Pierre Soulages

A work made of oil on canvas.

Still Life, 1918

Jean Metzinger

A work made of oil on canvas.

Muir, 1978

Joseph Raffael

A work made of oil on board.

Homage to the Square: Yellow Signal, 1962

Josef Albers

A work made of painted terracotta.

The Bunch of Grapes, 1928

Henri Laurens

A work made of three silver dye transparencies, three light boxes, gilded frames and mirrors.

1 + 1 + 1, 1987

Alfredo Jaar

Painting of a dark gray skyscraper in the glaring sun. The bright sun reflects off of the tall, looming building, which is painted from the perspective of a passerby looking up at the building. The light blurs out the top of the building, and dots of yellow light appear lower down and on nearby buildings.

The Shelton with Sunspots, N.Y., 1926

Georgia O'Keeffe

Undine

Undine, c. 1938–61

Marion Lukens

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