Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
Painting of artist drawing on easel, green landscape, stone walls surround him.

The Artist Looks at Nature, 1943

Charles Sheeler

A work made of glazed and fired ceramic, and iron.

Untitled (Head), 1956

Joan Miró

A work made of oil on canvas.

Joan of Arc in Montebourg, 1944

Aaron Bohrod

A work made of rose granite.

Extremity of a Mythical Wineskin, 1952

Jean (Hans) Arp

A work made of oil on canvas.

Ancient Windows, c. 1950

Horacio Renteria Rocha

A work made of oil on canvas.

Movement: Boats and Objects, Blue Gray Sea, 1947

John Marin

A work made of oil and sand on linen mounted on masonite pressed-wood board, with cork frame by the artist.

Untitled (Birds), 1924

Max Ernst

A work made of bronze.

Head #3, 1973

Willem de Kooning

Vertical black sculpture of rounded and rectangular shapes, suggesting a human figure.

Spoon Woman, 1926–27 (cast 1954)

Alberto Giacometti

A work made of backing board with attached stained wood frame and glass front, velvet (on sides), reproduced engraving, graphite, imitation gemstone, and mirror.

Cygne Crépusculaire (Twilight Swan), 1949

Joseph Cornell

Multicolored neon sign composed of various English words in a circular pattern.

Human Nature/Life Death, 1983

Bruce Nauman

A work made of lacquer on canvas.

Colossal Figure, 1961

Leon Golub

A work made of limestone.

Seated Figure, 1917

Jacques Lipchitz

A work made of oil on canvas.

The Coffee House, Winter 1905–6

Alson Skinner Clark

A work made of synthetic polymer paint on wood and plastic.

Still Life #41, 1964

Tom Wesselmann

A work made of bronze.

Monks Reading, 1932

Ernst Barlach

Painting of a rounded shiny black rock set on a pale tree stump, surrounded by a bright blue sky with clouds.

Black Rock with Blue Sky and White Clouds, 1972

Georgia O'Keeffe

A work made of box construction.

Untitled (Large Owl), c. 1948

Joseph Cornell

Portrait of an older woman holding a mirror and makeup pad, sitting in a dark dressing room in a pink slip and a blue and red skirt. Her flesh is mottled and pasty white, its contours in dark shadows that make it appear almost bruised. She gazes to the left forlornly.

Into the World There Came a Soul Called Ida, 1929–30

Ivan Albright

A work made of white marble, black marble, stone, and wood.

White Negress II, 1928

Constantin Brancusi

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