Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of oil on canvas.

Woman with a Bird Cage, 1941

Rufino Tamayo

A work made of oil on canvas.

Sunlight, c. 1913

Richard E. Miller

A work made of oil and metal fasteners on sandpaper, mounted on canvas, with feathers.

Man, Woman, and Bulls, 1935

Joan Miró

A work made of oil on canvas.

Composition, 1946

Nicolas de Staël

A work made of box construction.

Untitled (Yellow Sand Fountain), early 1950s

Joseph Cornell

A work made of oil on canvas.

A Vision, 1925–26

Joseph Stella

A work made of box construction.

Untitled (Blue Sand Box), early 1950s

Joseph Cornell

A work made of oil on canvas.

End of the Season, 1945

Jack Butler Yeats

A work made of oil on canvas.

Black and White, 1947

Ad Reinhardt

An abstracted painting of a pink girl, arms and legs outstretched, rendered in dark-brown lines and circles against a brown background, with scattered stick drawings around her. The lines are illuminated by surrounding points of color in yellow, orange, green, pink, and beige.

Dancing Girl, 1940

Paul Klee

A work made of oil on cradled panel.

Landscape in Provence, c. 1930

André Derain

A work made of oil on canvas.

Dead Fowl, 1926

Chaim Soutine

A work made of wood, mirror, and plexiglas.

Model for Pavilion/Sculpture for Argonne, 1978–81

Dan Graham

A work made of oil and sand on canvas.

Untitled (Two Death's Heads), 1927

André Masson

A work made of gouache and ink on printed paper.

Dada Gauguin, 1920

Max Ernst

A work made of oil on canvas.

Soldier, 1999

Luc Tuymans

A work made of oil on panel.

Composition, 1921

Auguste Herbin

A work made of oil on canvas.

Light and Shadow, c. 1924

John Warner Norton

A self-portrait oil painting of American artist Archibald John Motley, Jr. He wears a white shirt, a black tie with a diamond horseshoe pin, and a brown jacket; in his left hand he holds a palette, upon which are splotches of paint arranged according to the order of the color wheel; in his right hand he holds a long, slender paintbrush. Motley’s eyes are directed towards the viewer, he has a small mustache, and his light brown skin is contrasted by the black background.

Self-Portrait, c. 1920

Archibald John Motley Jr.

Abstract sculpture of various wooden shapes painted black and stacked together.

Cryptic XV, 1966

Louise Nevelson

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