Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of silk, plain, twill, and satin weaves; some with supplementary patterning warps, some with supplementary patterning and brocading wefts, some velvet, some with self-patterning; some painted, warp ikat, or engraved roller printed; pieced; appliquéd with cotton and silk, cut solid velvet; stamped; and embroidered with silk in buttonhole, chain, detached chain, cross, double feather, herringbone, satin, single satin, split, and stem stitches; laid work and couching; backed with cotton, plain weave; roller printed.

Bedcover or Parlor Throw (Crazy Quilt), 1896/1900

Lana Almedia Marcellus Jeffery

A work made of bronze.

Boxer, 1942

Richmond Barthé

A work made of lithograph on ivory wove paper.

Fleeting Time, Thou Hast Left Me Old, 1945

Ivan Albright

A work made of oil on board.

Captain Joseph Medill Patterson, 1962–64

Ivan Albright

A work made of oil on silk.

Pray for These Little Ones (Perforce They Live Together), 1973–74

Ivan Albright

A work made of oil on canvas.

Hills of Byram, 1909

Daniel Garber

An oil painting of a landscape that depicts a group of six trees illuminated by a dramatic sunset in the background. The color palette is mostly warm tones in shades of red, orange, and yellow, with some streaks of dark green in the foreground and broader strokes of light green and blue for the sky in the background.

Twilight, c. 1926

Hale Woodruff

A work made of cast bronze in twelve parts.

Curtain, 1997

Richard Rezac

Color photograph of a light-skinned woman in a long wig and pale bodysuit, holding a red apple, costumed figures behind her.

"Eve" appearing at Halloween Dance. 2740 N. Clybourn Ave. (just South of Diversey), October 31, 1988, 11:30 PM

Melissa Ann Pinney

Geometric landscape painting filled with lush green stylized trees, leaves, and ferns, with a high horizon line. A patch of red leaves at lower right. At lower left, two black-skinned figures stand in front of a small rocky waterfall beside two antelope-like animals.

The Waterfall, 1910

Henri Rousseau

A work made of gelatin silver print.

Chicago, 1958

Ray Krueger Metzker

Color print with an ombre sky that fades from bright blue at the top to pale blue at the bottom. At the bottom of the frame, a youthful black figure wearing a cloak looks upward. A large conch shell in vibrant pink floats above the person's head.

Love Letter III, 1977

Charles White

An oil painting of a colorful female face on a white background. The woman wears glasses and large, hoop earrings, and is rendered in blue, red, yellow, and purples shades that create a kaleidoscopic effect.

Towards Identity, 1970

Nelson Stevens

A work made of lithograph on cream wove paper.

Into the World There Came a Soul Called Ida, 1940

Ivan Albright

A work made of woodcut in black on off-white wove paper.

"Chicago Riviera", from One-Hundred Views of Chicago, 1967

Bronislaw M. Bak

A work made of metal coils ("slinkys"), padded with jute wrapped with cotton and rayon.

Fiber Construction Entitled "Floor Slinky", c. 1971

Claire Zeisler

A work made of carbon pigment print.

A Boy in Front of the Loews 125th Street Movie Theater, from the portfolio "Harlem, U.S.A." (2005), 1976, printed 2005

Dawoud Bey

A work made of collage and acrylic on canvas.

One Thing Leads to Another, 1968

Ralph Arnold

A work made of jute, flanges square knotted and wrapped; cascading ends.

Red Preview, 1969

Claire Zeisler

A work made of lithograph on tan wove paper.

Bust of a Woman, 1933

Ivan Albright

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