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A work made of woodcut on cream wove paper.

Hull House Poster, 1935

Carl Hoeckner

A work made of gelatin silver print.

Cook County Jail, Chicago, 1987

Jonas Dovydenas

A work made of pen and brown ink with brush and watercolor, over graphite, on ivory laid paper.

Reception, 1850/1855

Constantin Guys

A work made of aquatint and etching in brown, with hand-coloring, on cream wove paper.

Michigan Avenue at the Foot of Madison Street, Chicago, with a view of the Illinois Central Station in the Year 1864, published December 1926 (1864 depicted)

Raoul Varin

A work made of color screenprint on coated white wove paper.

Untitled, from Screen Prints 1970, 1970

Lester Lashley

A work made of oil on canvas.

The Commode, 1905–12

Walter Gay

A work made of variable media.

Alexian Brothers, Bonaventure Waystop Housing, 1992

Bertrand Goldberg

A work made of carbon pigment print, from the portfolio "harlem, u.s.a." (2005).

A Woman with Hanging Overalls, 1978, printed 2005

Dawoud Bey

A work made of watercolor over graphite on white wove paper.

Sheep at the Gate, n.d.

John Edward Costigan

A work made of color screenprint on cream wove paper.

Oh Boy Betsy Ross! What The Fuck Would You Do Now?, from Screen Prints 1970, 1970

Don Kingman

A work made of red granite.

Pilaster Capital from the Marshall Field Wholesale Store, Chicago, Illinois, 1885-87 (demolished 1930)

H. H. Richardson

A work made of silk, plain weave; screen printed.

Flying Buttresses, 1935

Walter Dorwin Teague

A work made of watercolor, with rewetting, blotting and scraping, over graphite, on thick, moderately textured, ivory wove paper.

North Woods Club, Adirondacks (The Interrupted Tete-a-Tete), 1892

Winslow Homer

A work made of iron, walnut, cane, and upholstery.

Chair, 1876

Cevedra B. Sheldon

A work made of leaded favrile glass.

Lilies (Corey Memorial Window), 1892–95

Louis Comfort Tiffany

A work made of etching on cream laid paper.

The Chicago Tribune Tower, c. 1933

Philip H. Giddens

A work made of linen, plain weave; screen printed.

Algiers (Furnishing Fabric), 1952

Angelo Testa

A work made of inkjet print.

Field Museum, Great Blue Heron, Texas, 1922, from the series "Prairie Specimens" (1998-2002), 2000

Terry Evans

Large painting of people in a crowded park, brushstrokes are dots.

A Sunday on La Grande Jatte — 1884, 1884–86, border added 1888–89

Georges Seurat

A work made of gelatin silver print.

Canal Street, Chicago, June 29, 1969

Harold Allen

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