Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of color screenprint on cream wove paper.

Oh Boy Betsy Ross! What The Fuck Would You Do Now?, from Screen Prints 1970, 1970

Don Kingman

A work made of red granite.

Pilaster Capital from the Marshall Field Wholesale Store, Chicago, Illinois, 1885-87 (demolished 1930)

H. H. Richardson

A work made of silk, plain weave; screen printed.

Flying Buttresses, 1935

Walter Dorwin Teague

A work made of gelatin silver print.

25th Place and Canal Street, Chicago, September 1959

Kenneth Josephson

A work made of iron, walnut, cane, and upholstery.

Chair, 1876

Cevedra B. Sheldon

A work made of watercolor over graphite on white wove paper.

Sheep at the Gate, n.d.

John Edward Costigan

A work made of inkjet print.

Field Museum, Great Blue Heron, Texas, 1922, from the series "Prairie Specimens" (1998-2002), 2000

Terry Evans

A work made of linen, plain weave; screen printed.

Algiers (Furnishing Fabric), 1952

Angelo Testa

A work made of gelatin silver print.

Nude, Chicago, March 1960

Kenneth Josephson

A detailed sketch in black of a building with a tall tower surrounded by shorter structures more loosely defined.

Carbon and Carbide Building, Chicago, Illinois, Perspective Sketch, 1927–28

Burnham Brothers, Architects

A work made of watercolor, with rewetting, blotting and scraping, over graphite, on thick, moderately textured, ivory wove paper.

North Woods Club, Adirondacks (The Interrupted Tete-a-Tete), 1892

Winslow Homer

A work made of leaded favrile glass.

Lilies (Corey Memorial Window), 1892–95

Louis Comfort Tiffany

A work made of painted cast iron.

Interior Column Capital from the Winston Block, Chicago, Illinois, 1872 (demolished 1982)

Frederick H. Baumann

A work made of gouache on white wove paper.

Jackson Hole, Wyoming, 1973

Ivan Albright

A work made of watercolor with graphite on cream wove paper, laid down on tan wove paper.

Pistachio Tree at Château Noir, c. 1900

Paul Cezanne

A work made of gouache on ivory watercolor paper.

Oh God, Herrings, Buoys, the Glittering Sea, 1940

Ivan Albright

A work made of nylon-wrapped-metallized-polyester film and wool, plain weave; open work.

Red Doors, 1990

Robert D. Sailors

Large painting of people in a crowded park, brushstrokes are dots.

A Sunday on La Grande Jatte — 1884, 1884–86, border added 1888–89

Georges Seurat

A work made of platinum print.

Inner Drive, Chicago, 1970

Joel Snyder

A work made of inkjet print.

Field Museum, Eskimo Curlew, Kansas, 1891, from the series "Prairie Specimens" (1998-2002), 2001

Terry Evans

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