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A work made of etching, burnished aquatint, drypoint, burin and burnishing on ivory wove paper with gilt edges.

Not in this case, plate 36 from The Disasters of War, 1812/15, published 1863

Francisco José de Goya y Lucientes

A work made of woodcut in black on ivory laid paper.

Adam and Eve (The Fall of Man), c. 1514

Lucas van Leyden

A work made of color woodblock print with white pigment around earring applied through a stencil.

Clock and Beauty, no. IV, 1964

Ito Shinsui

A work made of etching with engraving on ivory laid paper.

Cover for Collection of Different Bouquets of Flowers, Invented and Drawn by Jean Pillement and Engraved by P. C. Canot, published July 4, 1760

Pierre-Charles Canot

A work made of hand-colored woodblock print; uncut hosoban triptych, urushi-e.

Beauties of the Three Capitals: Shimabara in Kyoto (right), Yoshiwara in Edo (center), and Shinmachi in Osaka (left), c. 1755

Torii Kiyohiro

A work made of gelatin silver print, from the portfolio "parmelian prints of the high sierras" (1927).

Monolith, The Face of Half Dome, Yosemite National Park, 1927

Ansel Adams

A work made of ink and watercolor on paper.

Image from a Set of Initiation Cards (Tsakali), 14th/15th century

A work made of color woodblock print; oban, benizuri-e.

Sugoroku Players, c. 1750

Torii Kiyohiro

A work made of etching, lavis, drypoint, burin and burnishing on ivory wove paper with gilt edges.

The Beds of Death, plate 62 from The Disasters of War, 1812/15, published 1863

Francisco José de Goya y Lucientes

A work made of bronze.

Blade with Two Figures in Presentation Scene, 100 BCE–500 CE

Moche

A work made of screenprint on ivory wove paper.

Untitled 12, 1974

Andy Warhol

A work made of palladium print.

Ricardo Gómez Robelo, 1921

Edward Weston

A work made of engraving in black on ivory laid paper.

Bathsheba at the Bath, 1532

Heinrich Aldegrever

A work made of color woodblock print; oban triptych.

Iris Garden, c. 1781/89

Katsukawa Shunchô

A work made of four-panel screen; aluminum-flake pigment in polyvinyl acetate medium, and yellow alkyd varnish, on paper.

Dragon (Ryû), 1965

Shiryu Morita

A work made of etching, drypoint, burin and burnishing on ivory wove paper with gilt edges.

On account of a knife, plate 34 from The Disasters of War, 1812/15, published 1863

Francisco José de Goya y Lucientes

A work made of etching and engraving on paper.

The Annunciation, c. 1585

Federico Barocci

A work made of engraving on ivory laid paper.

Combats and Triumphs: Battle of the Naked Men, 1550/1572

Étienne Delaune

A work made of charcoal, with stumping, touches of oil paint, and traces of lead white (discolored), on tan laid paper.

Half-Length Recumbent Male Nude Seen from the Back, c. 1590

Pietro Faccini

A work made of glazed stoneware.

Teabowl, About 1950-about 1970

Hamada Shôji

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