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A work made of engraving in black on ivory laid paper.

Bathsheba at the Bath, 1532

Heinrich Aldegrever

A work made of color woodblock print; oban triptych.

Iris Garden, c. 1781/89

Katsukawa Shunchô

A work made of etching, burnished aquatint, drypoint, burin and burnishing on ivory wove paper with gilt edges.

Not in this case, plate 36 from The Disasters of War, 1812/15, published 1863

Francisco José de Goya y Lucientes

A work made of color woodblock print with white pigment around earring applied through a stencil.

Clock and Beauty, no. IV, 1964

Ito Shinsui

A work made of gelatin silver print, from the portfolio "parmelian prints of the high sierras" (1927).

Monolith, The Face of Half Dome, Yosemite National Park, 1927

Ansel Adams

A work made of engraving on ivory laid paper.

Combats and Triumphs: Battle of the Naked Men, 1550/1572

Étienne Delaune

A work made of etching and engraving on paper.

The Annunciation, c. 1585

Federico Barocci

A work made of charcoal, with stumping, touches of oil paint, and traces of lead white (discolored), on tan laid paper.

Half-Length Recumbent Male Nude Seen from the Back, c. 1590

Pietro Faccini

A work made of ink and watercolor on paper.

Image from a Set of Initiation Cards (Tsakali), 14th/15th century

A work made of bronze.

Blade with Two Figures in Presentation Scene, 100 BCE–500 CE

Moche

A work made of etching, lavis, drypoint, burin and burnishing on ivory wove paper with gilt edges.

The Beds of Death, plate 62 from The Disasters of War, 1812/15, published 1863

Francisco José de Goya y Lucientes

A work made of screenprint on ivory wove paper.

Untitled 12, 1974

Andy Warhol

A work made of engraving on paper.

Peasant Family Going to Market, 1469/74

Martin Schongauer

A work made of palladium print.

Ricardo Gómez Robelo, 1921

Edward Weston

A work made of woodblock print; sumizuri-e, kakemono-e.

Actor as a Standing Beauty, About 1715

Torii Kiyomasu I

A work made of pen and black ink, with brush and brown and gray wash, heightened with lead white, with traces of graphite, on laid paper prepared with ocher wash, squared in graphite, laid down on cream laid paper.

Two Reclining Beggars, and Seated Mother and Child, at Foot of Steps, n.d.

Girolamo Macchietti

A work made of oil on panel.

Christ on the Living Cross, c. 1420

Follower of the Master of Saint Veronica

A work made of four-panel screen; aluminum-flake pigment in polyvinyl acetate medium, and yellow alkyd varnish, on paper.

Dragon (Ryû), 1965

Shiryu Morita

A work made of hand-colored woodblock print; vertical o-oban, tan-e.

A Hawk Capturing a Crane in Flight, c. 1715

Torii Kiyomasu I

A work made of etching, drypoint, burin and burnishing on ivory wove paper with gilt edges.

On account of a knife, plate 34 from The Disasters of War, 1812/15, published 1863

Francisco José de Goya y Lucientes

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