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A work made of pen and black ink, with brush and brown and gray wash, heightened with lead white, with traces of graphite, on laid paper prepared with ocher wash, squared in graphite, laid down on cream laid paper.

Two Reclining Beggars, and Seated Mother and Child, at Foot of Steps, n.d.

Girolamo Macchietti

A work made of oil on panel.

Christ on the Living Cross, c. 1420

Follower of the Master of Saint Veronica

A work made of hand-colored woodblock print; vertical o-oban, tan-e.

A Hawk Capturing a Crane in Flight, c. 1715

Torii Kiyomasu I

A work made of color woodblock print; hosoban, benizuri-e.

The Actor Nakamura Tomijuro I as Omi no Okane in the play "Kongen Okuni Kabuki" performed at the Nakamura Theater in the seventh month, 1754, 1754

Torii Kiyohiro

A work made of pen and brown ink with brush and brown wash, heightened with lead white, over incising, on cream laid paper, laid down on ivory laid paper.

Daedalus and Icarus, early 1530s

Giulio Romano

A work made of color woodblock print; long surimono.

Gathering Herbs, c. 1796/97

Katsushika Hokusai

A work made of pen and brown ink, with brush and brown wash, heightened with lead-white gouache, on tan laid paper, laid down on cream wove paper.

Marriage of Henry II and Catherine de' Medici, The Dowry, c. 1562

Antoine Caron

A work made of manuscript cutting in tempera and gold leaf, with gothic book hand inscriptions in latin in pen and dark brown ink, with red and blue ink headers, ruled in graphite, on parchment.

Table of Bigamy, from the Summa Super Titulis Decretalium Completa, 1275/99

Henry of Segusio

A work made of pair of six-panel screens; ink, colors, and gold on paper.

The Tale of Taishokan, 1640-80

A work made of watercolor on ivory.

Portrait of James Butler, 1st Duke of Ormond (1610-1688), 17th century

Thomas Flatman

A work made of engraving in black on ivory laid paper.

Foliage Ornament from Ancient Roman Church, c. 1530–35

Agostino dei Musi

A work made of etching, burnished lavis, drypoint and burin on ivory wove paper with gilt edges.

One Can't Look, plate 26 from The Disasters of War, 1810/12, published 1863

Francisco José de Goya y Lucientes

A work made of collage of photocopies, cut-and-tipped to white paper, in artist's frame.

Small Landscape with Cut Trees, 2005

Dean Byington

A work made of oil on panel.

Portrait of a Young Girl, 1633–35

Pieter Dubordieu

Drawing of Jesus Christ carrying cross, soldier jabbing with staff, crowd following.

The Road to Calvary, 1475/80

Master of the Housebook

A work made of engraving in black on ivory laid paper.

The Crucifixion, c. 1480

Israhel van Meckenem, the younger

A work made of engraving on paper.

Christ Enthroned, n.d.

Martin Schongauer

A work made of soft-paste porcelain and polychrome enamels.

Tureen in the form of a Rabbit, 1755–56

Chelsea Porcelain Factory

A work made of etching, burnished aquatint, drypoint, burin and burnishing on ivory wove paper with gilt edges.

Not in this case, plate 36 from The Disasters of War, 1812/15, published 1863

Francisco José de Goya y Lucientes

A work made of gelatin silver print, from the portfolio "parmelian prints of the high sierras" (1927).

Monolith, The Face of Half Dome, Yosemite National Park, 1927

Ansel Adams

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