Curator

  • Art Institute Chicago
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A work made of mahogany and white pine, with mahogany, birch, and maple veneers.

Cylinder Desk and Bookcase, 1800–10

Artist unknown

Abstract painting composed of a central tangle of vibrant colors—purple, pink, orange, green, red—on a mostly gray background, subtly divided into rectangular areas.

City Landscape, 1955

Joan Mitchell

In a stark desert landscape, an older man sits in the foreground, illuminated, with a newspaper. Arranged evenly across the land behind him, smaller than perspective would indicate, are a faded child holding a hula hoop, a man holding a melting piano, a standing woman, and a figure near the horizon.

A Chemist Lifting with Extreme Precaution the Cuticle of a Grand Piano, 1936

Salvador Dalí

Abstract painting with dominant red, yellow, and blue tones. Densely commingled forms, many outlined in black or brown strokes, fill the canvas.

The Key, 1946

Jackson Pollock

A rectangular painting on light, vivid orange features a deeper orange block set atop a yellow block. The colors of each element are only loosely blended and lightly applied, so various tones are visible.

Untitled (Painting), 1953/54

Mark Rothko

A wide-mouthed drinking cup glazed in black with two handles extending from opposite sides.

Skyphos (Drinking Cup), 410-400 BCE

Ancient Greek

A work made of gilt copper, champlevé enamel over wood core.

Reliquary Casket, c. 1200

A work made of painted wood and metal.

Whirligig, 1939–45

Frank Memkus

A work made of color lithograph on off-white wove paper.

WPA Art Class Painting, 1940

Eleanor Coen

A work made of tin-glazed earthenware.

Large Plate, 1775–1825

Talavera Poblana

Wood statue of a standing Virgin Mary with a circle of stars around her head, arms crossed over her chest, robes draping off to her right, supported by a baby angel in a star-covered swaddle at the base.

Virgin of the Immaculate Conception, 1710/20

Antonio Maragliano

A light-skinned nude woman, center, struggles while a light-skinned nude man, top left, violently pulls white translucent fabric off of her. Dark red and brown textiles, a pillow, dagger, and fallen nude statue complete the scene.

Tarquin and Lucretia, 1578–80

Tintoretto

A work made of ink, graphite, and colored pencil on mylar.

Arts Club of Chicago, 1996

John Vinci

A work made of silver gilt over a wooden core; foot: copper gilt.

Altar Cross, c. 1325; foot: 15th century

Bowl-shaped terracotta vessel with a foot, glazed in red with black figures encircling its body.

Pyxis (Container for Personal Objects), late 6th century BCE

Ancient Greek

A work made of collotype, from the portfolio "robert demachy".

Le Pont des Arts, 1879/1914

Robert Demachy

A work made of engraving, with etching, on cream laid paper.

Art of Writing, from Encyclopédie, 1760

A. J. Defehrt

A work made of oil on canvas.

A Holiday, c. 1915

Edward Henry Potthast

A work made of white pine and paint.

Country Preacher, 1860–90

Artist unknown

A work made of watercolor on ivory.

Mary (Polly) Lawton Bringhurst, 1790

James Peale

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