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Terracotta pitcher decorated with red figures on a black background, with a slender neck and base. One side features a woman holding a fan; the reverse, a stylized fan pattern.

Oinochoe (Pitcher), end of 4th century BCE

Ancient Greek

Painting of a crowd of well-dressed light-skinned people in an open, snowy field surrounded by large rolling hills. At center a woman in a bright-yellow coat and skirt holds the hand of a child in red, who pulls to turn her toward the others.

Love of Winter, 1914

George Wesley Bellows

A work made of ink, graphite, and colored pencil on mylar.

Arts Club of Chicago, 1996

John Vinci

A work made of collotype, from the portfolio "robert demachy".

Le Pont des Arts, 1879/1914

Robert Demachy

A work made of engraving, with etching, on cream laid paper.

Art of Writing, from Encyclopédie, 1760

A. J. Defehrt

A work made of oil on canvas.

Irises, 1914–17

Claude Monet

Abstract painting composed of a central tangle of vibrant colors—purple, pink, orange, green, red—on a mostly gray background, subtly divided into rectangular areas.

City Landscape, 1955

Joan Mitchell

A work made of color woodblock print; hashira-e.

Komurasaki of the Miuraya and Shirai Gompachi (Miuraya Komurasaki, Shirai Gompachi), c. 1800

Kitagawa Utamaro

Abstract painting of bright rectangles in various sizes, in shades of light and dark orange as well as yellow, blue, lime green, and pink. A small white, amorphous shape sits at top center.

The Golden Wall, 1961

Hans Hofmann

Lamp with stained glass shade featuring dragonflies and shades of green, purple, brown.

Lamp with “Hanging Head Dragonfly” Shade and “Mosaic and Turtleback” Base, By 1906

Clara Driscoll

A work made of glass.

"Ruba Rombic" Vase, 1928–32

Reuben Haley

Wood statue of a standing Virgin Mary with a circle of stars around her head, arms crossed over her chest, robes draping off to her right, supported by a baby angel in a star-covered swaddle at the base.

Virgin of the Immaculate Conception, 1710/20

Antonio Maragliano

A light-skinned nude woman, center, struggles while a light-skinned nude man, top left, violently pulls white translucent fabric off of her. Dark red and brown textiles, a pillow, dagger, and fallen nude statue complete the scene.

Tarquin and Lucretia, 1578–80

Tintoretto

A work made of engraving on cream laid paper.

Art of Writing, from Encyclopédie, 1760

Aubin

A work made of iron with inlays of gold, silver, bronze, and copper on wood base.

Lock, 1911

Frank L. Koralewsky

A work made of oil on canvas.

Interior of St. Mark's, Venice, 1869

David Dalhoff Neal

A work made of gelatin silver print.

Chicago Landscape #13, 1964

Art Sinsabaugh

A work made of brush and black ink on mylar, ruled in blue pencil and graphite.

Untitled, from Hairy Who (color separation), 1968

Art Green

A work made of brush and black ink on mylar, ruled in blue pencil and graphite.

Untitled, from Hairy Who (color separation), 1968

Art Green

A work made of gelatin silver print.

Texture Study, Student Project, Institute of Design, Chicago, Illinois, Late 1940s

Art Sinsabaugh

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