Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of basalt.

Head of Xilonen, the Goddess of Young Maize, 1400–1500

Aztec (Mexica)

A work made of silver, cast with base worked in repoussé.

Buddha Seated in Meditation, 18th–19th century

A work made of gelatin silver print, from the portfolio "women are beautiful" (1981).

New York (Couple on Steps of Metropolitan Museum of Art), c. 1971

Garry Winogrand

A work made of iris print on paper.

Competition Proposal for Nelson Atkins Museum of Art, Interior Perspective, 1999

Steven Holl

A work made of favrile glass and bronze.

Lily Lamp, 1902–17

Tiffany Studios (Firm)

A work made of oil on canvas.

Caliente, 1985

Ed Paschke

A work made of oak.

Armchair, 1908

Frank Lloyd Wright

A white glass bottle with a narrow neck decorated with reliefs of columns and vases or pitchers.

Bottle, 1st century

Ancient Roman

A work made of terracotta, black-figure.

Amphoriskos (Container for Oil), 600-575 BCE

Ancient Greek

A work made of color lithograph on cream wove paper laid down on linen.

Wolfsberg Art Salon Zurich Augusto Giacometti exhibition from February to March 1921, 1921

Augusto Giacometti

A work made of etching, aquatint, drypoint and burin on ivory laid paper.

Pedro Romero killing the halted bull, plate 30 from The Art of Bullfighting, 1814/16, published 1816

Francisco José de Goya y Lucientes

A work made of ivory.

Tusk, 1850-1888

Edo

A work made of bronze.

An Anxious Friend, 1944

Max Ernst

A work made of wood and pigment.

Plank Mask, Early/mid–20th century

Bwa

A work made of color woodblock print; hosoban.

Susano-o no Mikoto Killing the Eight-headed Dragon, 1748

Torii Kiyomasu II

A work made of bronze.

Sleeping Muse, 1910

Constantin Brancusi

An abstracted work made of irregular pieces of stretched canvas bonded together, creating a funnel shape that protrudes out to form a dark hole.

Untitled, 1960

Lee Bontecou

A work made of tin-glazed earthenware.

Jardinière, 1700–75

Talavera Poblana

A work made of wood and pigment.

Headdress (Ago Egungun), Mid–late 19th century

Yoruba

A work made of etching, burnished aquatint and burin on ivory laid paper.

Origin of the harpoons or banderillas, plate seven from The Art of Bullfighting, 1814/16, published 1816

Francisco José de Goya y Lucientes

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