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A work made of etching, burnished aquatint and drypoint on ivory laid paper.

A Moor Caught by the Bull in the Ring, plate 8 from The Art of Bullfighting, 1814/16, published 1816

Francisco José de Goya y Lucientes

A work made of lithograph in black on buff wove paper.

The Tailor, from Arts et Métiers, 1838

Bernard Gaillot

A work made of fluorescent paint and silkscreen ink on linen.

Flowers, 1964

Andy Warhol

A work made of pen lithograph on tan wove paper.

Plate One, from Long Live Fashion, Down with Art, 1919, published 1920

Max Ernst

Vibrantly colored landscape painting of houses built on a steep hill surrounded by thin, bent trees and a narrow trail or road. Bright orange, red, pink, green, and yellow illuminate the scene.

Landscape at L'Estaque, 1906

Georges Braque

A work made of oil on cardboard.

Houses at Murnau, 1909

Vasily Kandinsky

A work made of wood, kaolin, and pigment.

Face Mask, Late 19th-early 20th century

Bwa

A work made of oil on board.

Girl with Cat, 1937

Balthus

Rectangular painting of white, framed by a thin, yellow outline and a thicker, black outline.

Brilliant Yellow #9, 1964/65

Jo Baer

A work made of book with woodcuts and letterpress in black on cream laid paper.

The Art of Wrestling: Eighty-Five Pieces (Ringer Kunst: Fünff und Achtzig Stücke), 1539

Lucas Cranach, II

A work made of etching, burnished aquatint, drypoint and burin on ivory laid paper.

The Moors had settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open, plate three from The Art of Bullfighting, 1814/16, published 1816

Francisco José de Goya y Lucientes

A work made of etching, burnished aquatint, drypoint and burin on ivory laid paper.

Another way of hunting on foot, plate two from The Art of Bullfighting, 1814/16, published 1816

Francisco José de Goya y Lucientes

Blue stained glass windows depicting angels, musicians, trees.

America Windows, 1977

Marc Chagall

Small, dark colored ceramic vessel with a handle and spout at the top. The front of the vessel looks like a face, with two round forms making the eyes, a long, thin form a nose, and an oval form the mouth. Two ear-like shapes protude from the side of the vessel.

Face Jug, c. 1860

Artist unknown

Marcel Duchamp: The Art of Making Art in the Age of Mechanical Reproduction

Marcel Duchamp: The Art of Making Art in the Age of Mechanical Reproduction, 1999

Studio Blue

A dark-brown painted sculpture with hints of orange showing through of a slim face with a long neck. The lips are drawn in a pout, the cheeks sunken, the hair pulled back in a swirl pattern and falling down in a slim column.

Head, Mid–late 19th century

Fang

A work made of creamware.

Plate, c. 1790

Pink and red wax sculpture of a naked person lying on their side in a fetal position.

Blood Pool, 1992

Kiki Smith

A chaotic but happy kitchen scene: A light-skinned woman in a pink dress at left bends to take a turkey out of the oven, while another at right forms a pie near a small girl playing with a kitten. Behind them, a woman selects dishware as yet another carries a basket of ingredients. A fifth woman in the back puts on a fancy hat and coat near a pair of babies reaching out from their twin high chair.

Thanksgiving, c. 1935

Doris Lee

A work made of nautilus shell, ink, and gilded silver.

Nautilus Shell Cup, c. 1600 (mounts altered 1800s)

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