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A work made of lithograph in black on buff wove paper.

The Tailor, from Arts et Métiers, 1838

Bernard Gaillot

A white-toned, blocklike sculpture with rough areas and three highly polished nude figures emerging from the rough portions. In front, a mournful man and woman grasp tightly at each other's hands while from behind, another figure buries his head in his own crossed arms, the woman's upturned hand holding onto them.

The Solitude of the Soul, Modeled in plaster 1901; sculpted in marble 1914

Lorado Taft

Painting of four figures in blue, red, brown dresses playing croquet.

Croquet Scene, 1866

Winslow Homer

A work made of pen lithograph on tan wove paper.

Plate One, from Long Live Fashion, Down with Art, 1919, published 1920

Max Ernst

A work made of etching, burnished aquatint and drypoint on ivory laid paper.

A Moor Caught by the Bull in the Ring, plate 8 from The Art of Bullfighting, 1814/16, published 1816

Francisco José de Goya y Lucientes

A work made of acrylic on canvas, with two newspapers.

Oct. 31, 1978 (Today Series, "Tuesday"), 1978

On Kawara

Dark twilight scene of a a brightly illuminated white cottage along the shore of an expansive body of water, seen through a thick of silhouetted trees.

Fisherman's Cottage, 1906

Harald Oscar Sohlberg

A work made of stoneware with celadon glaze and underglaze incised decoration.

Bird Shaped Ewer with Daoist Priest, Goryeo dynasty (918–1392), 12th century

A work made of book with woodcuts and letterpress in black on cream laid paper.

The Art of Wrestling: Eighty-Five Pieces (Ringer Kunst: Fünff und Achtzig Stücke), 1539

Lucas Cranach, II

A work made of oil on canvas.

Volunteer, 1963/64

James Rosenquist

A work made of etching, burnished aquatint, drypoint and burin on ivory laid paper.

The Moors had settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open, plate three from The Art of Bullfighting, 1814/16, published 1816

Francisco José de Goya y Lucientes

A work made of etching, burnished aquatint, drypoint and burin on ivory laid paper.

Another way of hunting on foot, plate two from The Art of Bullfighting, 1814/16, published 1816

Francisco José de Goya y Lucientes

A work made of oil on canvas.

The Fates Gathering in the Stars, 1887

Elihu Vedder

Two large dark brown wood horned animal headdresses.

Pair of Headdresses (Tyi Wara Kunw), Mid–19th to early 20th century

Bamana

Marcel Duchamp: The Art of Making Art in the Age of Mechanical Reproduction

Marcel Duchamp: The Art of Making Art in the Age of Mechanical Reproduction, 1999

Studio Blue

A work made of terracotta.

Equestrian and Four Figures, Probably late 12th-15th century

Bankoni

A work made of bone, cow horn, wood, iron, and silk velvet.

Casket, c. 1390-c. 1410

Workshop of the Embriachi Family

A work made of wood and pigment.

Female Headdress (Nimba, D'mba, or Yamban), Mid 19th-early 20th century

Baga

A work made of wood, glass beads, and thread.

Twin Figures (Ere Ibeji), Early/mid–20th century

Yoruba

Miniature room with two tall windows framing a small Cubist painting and a fireplace, two golden scuptures set before the windows. At right, a small red couch is flanked by two Lucite chairs. At left, an open glass door is flanked by oak chaises with red cushions. A plush cream rug fills the space.

A37: California Hallway, c. 1940, c. 1940

Narcissa Niblack Thorne

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