Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of color woodblock print; edition 1/50.

Blue Moon (A) [Aoi tsuki (A)], 1962

Amano Kunihiro

A work made of steel and cast iron.

Diamond Africa with Chair Tuned D E A D, 1981

Bruce Nauman

Painting of an arid landscape in blue, beige, and gray. At left, a dark figure-like form sits atop a beige archway, two gray kidney shapes below it.

Untitled (Dream of Venus) formerly Visions of Eternity, 1939

Salvador Dalí

Tile

Tile, 1680–1800

Talavera Poblana

A work made of color woodblock print; oban.

Oumayagashi, from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)", 1857

Utagawa Hiroshige

A work made of oil on canvas.

Chartres Cathedral, 1930

Elie Lascaux

A work made of oil on canvas.

Portable Garbo, 1941

Wilhelm Freddie

A work made of color woodblock print; hosoban, mizu-e.

The Maple Festival (Momiji no ga) from chapter 7 of The Tale of Genji, early 1760s

Kitao Shigemasa

A work made of color woodblock print; oban.

Lake Chuzenji, Nikko (Nikko Chuzenjiko), 1930

Kawase Hasui

A work made of wood and metal.

Male Face Mask (N'tomo), Late 19th or early 20th century

Bamana

A work made of wood, raffia, and pigment.

Helmet Mask (Kholuka or Mbala), Late 19th-early 20th century

Yaka

A work made of oil on canvas.

A Boy Named Alligator, 1930

Kathleen Blackshear

Shiny silver cup with lid, two handles with leaf designs

Two-Handled Covered Cup, 1698–1720

Cornelius Kierstede

A work made of oil on canvas.

A Magdalen, c. 1896

Walter MacEwen

A work made of oil on mahogany panel.

Major-General Henry Dearborn, 1812

Gilbert Stuart

A work made of oil on canvas.

James William Wallack, 1835–40

Charles Robert Leslie

A work made of ink and colors on paper.

A Pair of Carp, Joseon dynasty (1392–1910)

A work made of earthenware with green lead glaze.

Wellhead with Dragon Heads, Eastern Han dynasty (A.D. 25–220)

A work made of acrylic on canvas.

Sally Slips Bye-Bye, 1972

Jim Nutt

A work made of encaustic and collage on paper on board.

Acolo, November 1949

Victor Brauner

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