Curator

  • Art Institute Chicago
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A work made of oil on canvas.

Maya, Mirror of Illusions, c. 1910

Arthur B. Davies

A work made of walnut.

High-Back Windsor Chair, c. 1760

Artist unknown

A work made of laminated plywood.

Queen Anne Chair in Grandmother pattern, designed 1984 (made 1989)

Robert Venturi

A work made of earthenware and glaze.

Vase, c. 1909

Annie E. Aldrich

A work made of oil on canvas.

Christa and Wolfi, 1964

Gerhard Richter

A work made of painted enamel on copper with traces of gilding.

Plate with Scene of the Month of April, 1500/1600

Jean Court

A work made of color woodblock print; otanzaku.

Macaw on a pine branch, c. 1835

Utagawa Hiroshige

A work made of oil on glass.

Landscape, 1957

Max Ernst

A work made of charcoal with stumping and graphite on cream laid paper.

Sketches of Legs and Feet, 1917/21

John Singer Sargent

A work made of felt with metal grommets.

Untitled, 1976

Robert Morris

A work made of oil on canvas.

Stamford after Brunch, 2000

John Currin

Abstract painting with beige background, lines creating sharp angles, minimal color.

Excavation, 1950

Willem de Kooning

A work made of black and yellow chalk, with stumping, on multiple sheets of gray laid paper, pieced together.

Reclining Nude, n.d.

Arthur B. Davies

A work made of ceramic and pigment.

Jar in the Form of an Abstract Figure with Modeled Head and Wide Collar, 100 BCE–500 CE

Moche

A color woodblock print of a white cat with it’s back to us, stares out a window, looking over rooftops, green fields, toward Mt Fuji in the distance. A blue and white bowl and towel sit on the windowsill , on the floor are decorative hair pins.

Asakusa Rice Fields and Torinomachi Festival (Asakusa tanbo Torinomachi mode), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)", 1857

Utagawa Hiroshige

A work made of color woodblock print; chuban.

Sakanoshita, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)", c. 1806

Katsushika Hokusai

A work made of oil on canvas.

The Hippodrome, London, 1902

Everett Shinn

A recumbent, full-figured nude rendered in pink and gray geometric shapes, her hands above her head, on a gray and blue ground, a brown tree with sparse needles behind her.

Nude under a Pine Tree, January 20, 1959

Pablo Picasso

An abstract painting in greens and blues shows many small, card- or brick-like squares and rectangles merging at bottom and encroaching upon the center from the sides, like a wall trying to close itself, or a wall opening. Beyond these shapes is the suggestion of a hazy green sky with clouds and perhaps more shapes.

Towards the Unknown, 1950

Gunther Gerzso

A work made of oil on canvas.

The Old Mill, 1849

George Inness

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