Curator

  • Art Institute Chicago
  • Harvard art museum
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A work made of color woodblock print; hashira-e.

The Courtesan Sugawara of the Tsuruya and Her Attendant, c. 1776/81

Isoda Koryusai

A work made of oil on yellow poplar panel.

New England Country Seat, 1800–20

Artist unknown

A work made of oil on canvas.

Alex, 1991

Chuck Close

A work made of wood, glass beads, shell, copper alloy, and thread.

Female Figure (Akua'ba), Mid–19th or early 20th century

Fante

A work made of terracotta and enamel paint.

Container for Water or Beer, Mid–/late 20th century

Shona

A work made of padauk.

Bench (from the Helene Koerting Fischer home), 1938

Wharton Esherick

A work made of linen, cotton, rayon, and cellophane yarns, bouclé yarns, and chenille yarns, plain weave.

Panel (Casement Fabric), 1946/47

Ed Rossbach

A work made of pine, paint, and gold leaf.

Eagle, 1870–1900

John Haley Bellamy

A work made of oil on canvas.

Green Sea, 1976

Philip Guston

A work made of bronze.

Bust of Seleucus Nicator of Syria, Late 19th century reproduction

Sabatino de Angelis

A work made of oil on panel.

Mrs. William Bonham (Ann Warford), March 6, 1825

William Bonnell

A work made of oil, urethane enamel, fluorescent alkyd, acrylic, and printing ink on etched magnesium and aluminium.

Gobba, zoppa e collotorto, 1985

Frank Stella

Earthenware plate with a polychrome enamel depiction of a running dog flanked by two curved trees.

Charger, 17th century

Talavera de la Reina Potteries

A work made of oil on canvas.

Building The Cofferdam, c. 1914

Walter Elmer Schofield

A work made of wood.

Headrest (Isicamelo or Isigqiki), 19th century

Northern Nguni

A work made of bronze.

Indian and Pronghorn Antelope, 1914

Paul Manship

A work made of ceramic and pigment.

Stirrup Spout Vessel with Fineline Bird Motifs, 100 BCE–500 CE

Moche

A work made of oil on canvas.

Cloudy Night, a Picture That Can Be Hung Upside Down, 1978

Roger Brown

A work made of oil on canvas.

Caroline, 1962

Alberto Giacometti

A work made of charcoal (recto and verso) with stumping on ivory laid paper.

Seated Male Nude with Extended Leg (recto); Sketch of Kneeling Male Nude and Divided Circle (verso), 1917/21

John Singer Sargent

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