Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of etching, aquatint, drypoint and burin on ivory laid paper.

Pedro Romero killing the halted bull, plate 30 from The Art of Bullfighting, 1814/16, published 1816

Francisco José de Goya y Lucientes

A work made of acrylic on canvas.

Screamin' Jay Hawkins, 1968

Karl Wirsum

A work made of enamel on aluminum.

Maggie's Brain, 1995

Christopher Wool

A work made of oil, enamel, metallic paint, fabric, synthetic polymer, tar, paper, thread, and gold leaf on fabric.

White (Bianco), 1952

Alberto Burri

A tall, skinny stoneware vase in red, with a shiney, polished finish.

Bottle, 1962

Gertrud Natzler

Painting of a small stream in the middle of the woods. In the center of the painting, there is a small waterfall over a large boulder. Radiant beams of sunlight penetrate the thick forest of birch and other trees, and a small bird sings from a broken branch over the waterfall.

Mountain Brook, 1863

Albert Bierstadt

A work made of sheet steel, brass, wire, and paint.

Streetcar, 1951

Alexander Calder

Tall red-brown mahogany clock with brass trim.

Tall Clock, 1912

George Grant Elmslie

A work made of etching, burnished aquatint and burin on ivory laid paper.

Origin of the harpoons or banderillas, plate seven from The Art of Bullfighting, 1814/16, published 1816

Francisco José de Goya y Lucientes

A work made of offset lithograph in black on orange wove paper.

Untitled (Thou Art that Kind of Privileged...), from Inflammatory Essays, 1979/82

Jenny Holzer

A work made of bronze.

Mirror with "TLV" Pattern, Eastern Han dynasty (25–220 CE), about 1st century

A work made of lithographic poster on white wove paper.

Chicago Art Exposition, 1982

Jack Tworkov

A work made of leaded favrile glass.

Lilies (Corey Memorial Window), 1892–95

Louis Comfort Tiffany

A work made of terracotta, black-figure with applied paint.

Pelike (Storage Jar), about 510-500 BCE

Ancient Greek

A work made of wood, pigment, glass beads, cowrie shells, fabric, and thread.

Face Mask (Ngady Mwaash), Late 19th-mid 20th century

Kuba

A work made of creamware.

Plate, c. 1790

A work made of wood, copper alloy, and pigment.

Female Face Mask (Ndoma), Late 19th or mid–20th century

Baule

A work made of oil on canvas.

Lady in Green and Gray, 1911

Thomas Wilmer Dewing

A work made of terracotta, red-figure.

Amphora (Storage Jar), 4th century BCE

Ancient Greek

A room with canon at left pointed toward a wall divided into four segments: wood grain at top left; at top right, gray tubes with halved spheres; at bottom left, blue sky and clouds; and at bottom right, a brown building with curtained windows. A left wall, segmented in two, features a nude female torso at top and detailed trees at bottom. The right wall features a top panel of wavy yellow and orange, while bottom panel has a pink, cutout-like motif.

On the Threshold of Liberty, February–March 1937

René Magritte

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