Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of wood.

Headrest (Isicamelo or Isigqiki), 19th century

Northern Nguni

Circles and lines form shapes of trees, with leaves and trunks. Looking up to see a perfect cross in nature. Streaming clouds form diagonal pinstripes overhead.

Cloudy Night, a Picture That Can Be Hung Upside Down, 1978

Roger Brown

A work made of ceramic and pigment.

Stirrup Spout Vessel with Fineline Bird Motifs, 100 BCE–500 CE

Moche

A work made of oil on canvas.

The Valley of Arconville, c. 1887

Theodore Robinson

A work made of brass, bronze, and cast iron.

Andirons, 1912

George Grant Elmslie

A work made of marble.

Two Penguins, 1911/14

Constantin Brancusi

A work made of oil on canvas.

Ice (1), 1989

Gerhard Richter

A work made of oil on canvas.

A Face from Georgia, 1970–74

Ivan Albright

A work made of wood and plant fibers.

Hair Comb, Early 20th century

A work made of copper, lead or zinc, and gilding.

Running Horse Weather Vane, c. 1860

Alvin L. Jewell

Dark portrait of an older light-skinned women with dark hair in a black dress and white collar, her hair pinned up. Her face is in partial shadow.

Portrait of Mary Adeline Williams, 1899

Thomas Eakins

A work made of stoneware with white slip and glaze.

Flask with Fish, Joseon dynasty (1392–1897), late 15th century

A work made of wood, copper alloy, and iron.

Horn, Late 19th-early 20th century

Kuba

A work made of iron on stone base.

Woman with Hair in a Bun, c. 1930

Julio González

A work made of etching, burnished aquatint and drypoint on ivory laid paper.

They Loose Dogs on the Bull, plate 25 from The Art of Bullfighting, 1814/16, published 1816

Francisco José de Goya y Lucientes

A work made of oil on canvas.

Winged Figure, 1889

Abbott Handerson Thayer

A work made of stoneware and glaze.

Bottle Vase, 1915

Charles Fergus Binns

A work made of wood, brass, copper, and iron.

Figure (Mbulu Ngulu), Late 19th-early 20th century

Kota

A work made of oil and sand on canvas.

Still Life with Fruits and Stringed Instrument, 1938

Georges Braque

A work made of charcoal with stumping and graphite (recto and verso) on cream laid paper.

Bound Man (recto); Sketch of Bound Man (verso), 1917/21

John Singer Sargent

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