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Abstract painting, black background covered with flicks and smudges of white and other colors.

Greyed Rainbow, 1953

Jackson Pollock

Painting of a crowd of well-dressed light-skinned people in an open, snowy field surrounded by large rolling hills. At center a woman in a bright-yellow coat and skirt holds the hand of a child in red, who pulls to turn her toward the others.

Love of Winter, 1914

George Wesley Bellows

A work made of ink, graphite, and colored pencil on mylar.

Arts Club of Chicago, 1996

John Vinci

A work made of collotype, from the portfolio "robert demachy".

Le Pont des Arts, 1879/1914

Robert Demachy

A work made of engraving, with etching, on cream laid paper.

Art of Writing, from Encyclopédie, 1760

A. J. Defehrt

A work made of oil on canvas.

Irises, 1914–17

Claude Monet

Abstract painting composed of a central tangle of vibrant colors—purple, pink, orange, green, red—on a mostly gray background, subtly divided into rectangular areas.

City Landscape, 1955

Joan Mitchell

Wood statue of a standing Virgin Mary with a circle of stars around her head, arms crossed over her chest, robes draping off to her right, supported by a baby angel in a star-covered swaddle at the base.

Virgin of the Immaculate Conception, 1710/20

Antonio Maragliano

A light-skinned nude woman, center, struggles while a light-skinned nude man, top left, violently pulls white translucent fabric off of her. Dark red and brown textiles, a pillow, dagger, and fallen nude statue complete the scene.

Tarquin and Lucretia, 1578–80

Tintoretto

A work made of engraving on cream laid paper.

Art of Writing, from Encyclopédie, 1760

Aubin

A work made of pen lithograph on tan wove paper.

Plate Eight, from Long Live Fashion, Down with Art, 1919, published 1920

Max Ernst

A work made of color woodblock print; hashira-e.

Komurasaki of the Miuraya and Shirai Gompachi (Miuraya Komurasaki, Shirai Gompachi), c. 1800

Kitagawa Utamaro

A work made of gelatin silver print.

Chicago Landscape #13, 1964

Art Sinsabaugh

A work made of gelatin silver print.

Texture Study, Student Project, Institute of Design, Chicago, Illinois, Late 1940s

Art Sinsabaugh

A work made of gelatin silver prints.

Texture Study, Student Project, Institute of Design, Chicago, Illinois, Late 1940s

Art Sinsabaugh

A work made of gelatin silver print.

Virtual Volume Exercise, Student Project, Institute of Design, Chicago, Illinois, Late 1940s

Art Sinsabaugh

A work made of brush and black ink on mylar, ruled in blue pencil and graphite.

Untitled, from Hairy Who (color separation), 1968

Art Green

A work made of brush and black ink on mylar, ruled in blue pencil and graphite.

Untitled, from Hairy Who (color separation), 1968

Art Green

A Monument to Social Security

A Monument to Social Security, 1960s

Art Green

A work made of gelatin silver print.

Texture Study, Student Project, Institute of Design, Chicago, Illinois, Late 1940s

Art Sinsabaugh

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