Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
Opulently dressed light-skinned man and woman drink at a small table. A mirror behind them reflects a crowd. Her blue dress and dark hat dominate.

At Mouquin's, 1905

William James Glackens

A rectangular painting on light, vivid orange features a deeper orange block set atop a yellow block. The colors of each element are only loosely blended and lightly applied, so various tones are visible.

Untitled (Painting), 1953/54

Mark Rothko

A work made of cor-ten and stainless steel.

Clothespin, 1975

Claes Oldenburg

A work made of gelatin silver print.

Brother and Pop Art, 1965

Billy Abernathy

A work made of paper.

Bauhaus: Art As Life Poster, 2012

APFEL

Painting of a prominent orange-red circle imposed on the center of a canvas depicting a grove of trees behind a stone wall and an orange-red sky in gradient.

The Banquet, 1958

René Magritte

Color print of travelers of foot and horseback following a grassy route flanked by Japanese bungalows and groves of trees.

Hamamatsu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido), c. 1837/42

Utagawa Hiroshige

Wooden sculpture of seated king surrounded by family.

Veranda Post (Òpó Ògògá), 1910-14

Olowe of Ise

A work made of internal dye diffusion transfer.

Iconographic Art Lunches #1: The School of the Museum of Fine Arts, Boston: Submarine Sandwich: Salami, cheese, lettuce, sliced tomatoes, buns, lunch meat; Museum of Fine Arts, Boston: Salad Bar: (cont.), 1984

Robert Heinecken

A work made of gelatin silver print.

Pont des Arts, Paris, 1931

Ilse Bing

A work made of lithograph in black and dark red on off-white coated paper.

Art Towards Social Development, 1982

Thamsanqa (Thami) Mnyele

A work made of wool and cotton, plain weave with supplementary wrapping wefts forming cut pile through a technique known as "sehna knots"; knotted warp fringe.

Carpet (Art Deco), 1925/30

A work made of the reflecting pool, 1977-79, 6:58 min.; moonblood, 1977-79, 12:48 min.; silent life, 1979, 13:14 min.; ancient of days, 1979-81, 12:21 min.; vegetable memory, 1978-80, 15:13 min. color video, sound (projection); 62 min. loop.

The Reflecting Pool: Collected Works, 1977–80

Bill Viola

A work made of wood and paint.

Parrot, 1870–90

Wilhelm Schimmel

In a stark desert landscape, an older man sits in the foreground, illuminated, with a newspaper. Arranged evenly across the land behind him, smaller than perspective would indicate, are a faded child holding a hula hoop, a man holding a melting piano, a standing woman, and a figure near the horizon.

A Chemist Lifting with Extreme Precaution the Cuticle of a Grand Piano, 1936

Salvador Dalí

A work made of mahogany and white pine, with mahogany, birch, and maple veneers.

Cylinder Desk and Bookcase, 1800–10

Artist unknown

A work made of lithograph in black on buff wove paper.

The Musician, from Arts et Métiers, 1838

Bernard Gaillot

Abstract painting with dominant red, yellow, and blue tones. Densely commingled forms, many outlined in black or brown strokes, fill the canvas.

The Key, 1946

Jackson Pollock

A detailed drawing of a room with multiple sitting areas marked by two decorative rugs and various room dividers.

F. H. Bresler Art Gallery, Milwaukee, Wisconsin, Interior Perspective, c. 1904

George Mann Niedecken

Tall city buildings seen at close range from the water, illuminated by hundreds of lighted windows and suffused with a dreamy light-blue and gray haze. Boats below emit blue steam.

Afterglow, c. 1913

Jonas Lie

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