Bowl with Bold Black-on-White Diamond and Zizgag Motifs, 950–1400
Ancestral Pueblo (Anasazi)
Bird Shaped Ewer with Daoist Priest, Goryeo dynasty (918–1392), 12th century
Volunteer, 1963/64
James Rosenquist
Title Page, from Long Live Fashion, Down with Art, 1919, published 1920
Max Ernst
The Tailor, from Arts et Métiers, 1838
Bernard Gaillot
A Moor Caught by the Bull in the Ring, plate 8 from The Art of Bullfighting, 1814/16, published 1816
Francisco José de Goya y Lucientes
Plate One, from Long Live Fashion, Down with Art, 1919, published 1920
Max Ernst
Pair of Headdresses (Tyi Wara Kunw), Mid–19th to early 20th century
Bamana
Equestrian and Four Figures, Probably late 12th-15th century
Bankoni
Casket, c. 1390-c. 1410
Workshop of the Embriachi Family
Female Headdress (Nimba, D'mba, or Yamban), Mid 19th-early 20th century
Baga
Twin Figures (Ere Ibeji), Early/mid–20th century
Yoruba
A37: California Hallway, c. 1940, c. 1940
Narcissa Niblack Thorne
The Art of Wrestling: Eighty-Five Pieces (Ringer Kunst: Fünff und Achtzig Stücke), 1539
Lucas Cranach, II
Untitled XI, 1975
Willem de Kooning
Farm near Duivendrecht, c. 1916
Piet Mondrian
Inlay Depicting the Face of a King, Ptolemaic Period (332–30 BCE)
Ancient Egyptian
The Moors had settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open, plate three from The Art of Bullfighting, 1814/16, published 1816
Francisco José de Goya y Lucientes
Another way of hunting on foot, plate two from The Art of Bullfighting, 1814/16, published 1816