The Moors had settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open, plate three from The Art of Bullfighting, 1814/16, published 1816
Francisco José de Goya y Lucientes
Marcel Duchamp: The Art of Making Art in the Age of Mechanical Reproduction, 1999
Studio Blue
Beauty Under an Umbrella in the Snow, c. 1770
Suzuki Harunobu
Head (Uhunmwun Elao), 18th/early 19th century
Edo
School of Contemporary Art Life Class, 1956/57
Richard Aberle Florsheim
How Beautiful are the Arts, from Croquis Lithographiques...1823, 1823
Hippolyte Bellangé
Meetinghouse Hill, Roxbury, Massachusetts, 1799
John Ritto Penniman
Drive in the Knife, May 1943
Matta
Diamond Dust Joseph Beuys, 1980
Andy Warhol
Plate Three, from Long Live Fashion, Down with Art, 1919, published 1920
Max Ernst
Art Classes for Children, 1935/43
R. E. K.
The Restaurant of the Great Art Exhibition: A symbiotic love for the arts and the cutlet, 1868, printed 1920
Etienne Carjat
Jar with Tubular Handles, Peonies, “Endless Knot,” Pendant Balls, and Pendant Lozenges, Qing dynasty (1644–1911), Qianlong reign mark and period (1736–1795)
Rainy Day, 1906
Frank Weston Benson
E-27: French Library of the Modern Period, 1930s, c. 1937
Narcissa Niblack Thorne
Plate Two, from Long Live Fashion, Down with Art, 1919, published 1920
Max Ernst
Male Figure (Nkisi Nkondi), Probably early to mid-19th century
Vili
Stirrup Spout Vessel with Fineline Enthroned Warrior Motif, 100 BCE–500 CE
Moche
The Agility and Audacity of Juanito Apinani in the ring at Madrid, plate 20 from The Art of Bullfighting, 1814/16, published 1816