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A work made of pen lithograph on tan wove paper.

Title Page, from Long Live Fashion, Down with Art, 1919, published 1920

Max Ernst

A work made of etching, burnished aquatint and drypoint on ivory laid paper.

A Moor Caught by the Bull in the Ring, plate 8 from The Art of Bullfighting, 1814/16, published 1816

Francisco José de Goya y Lucientes

A work made of lithograph in black on buff wove paper.

The Tailor, from Arts et Métiers, 1838

Bernard Gaillot

A work made of pen lithograph on tan wove paper.

Plate One, from Long Live Fashion, Down with Art, 1919, published 1920

Max Ernst

A work made of wood and pigment.

Female Headdress (Nimba, D'mba, or Yamban), Mid 19th-early 20th century

Baga

A work made of terracotta.

Equestrian and Four Figures, Probably late 12th-15th century

Bankoni

A work made of wood, glass beads, and thread.

Twin Figures (Ere Ibeji), Early/mid–20th century

Yoruba

Against red background four men stand around another bound naked to a chair, his head covered.

Interrogation II, 1981

Leon Golub

Miniature room with two tall windows framing a small Cubist painting and a fireplace, two golden scuptures set before the windows. At right, a small red couch is flanked by two Lucite chairs. At left, an open glass door is flanked by oak chaises with red cushions. A plush cream rug fills the space.

A37: California Hallway, c. 1940, c. 1940

Narcissa Niblack Thorne

A work made of bone, cow horn, wood, iron, and silk velvet.

Casket, c. 1390-c. 1410

Workshop of the Embriachi Family

A work made of book with woodcuts and letterpress in black on cream laid paper.

The Art of Wrestling: Eighty-Five Pieces (Ringer Kunst: Fünff und Achtzig Stücke), 1539

Lucas Cranach, II

A work made of oil on canvas.

Farm near Duivendrecht, c. 1916

Piet Mondrian

A work made of glass.

Inlay Depicting the Face of a King, Ptolemaic Period (332–30 BCE)

Ancient Egyptian

A work made of oil on linen.

Untitled XI, 1975

Willem de Kooning

A work made of etching, burnished aquatint, drypoint and burin on ivory laid paper.

The Moors had settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open, plate three from The Art of Bullfighting, 1814/16, published 1816

Francisco José de Goya y Lucientes

A work made of color woodblock print.

Matsue, Izumo, from the series Souvenirs of Travel, Third Series (Tabi miyage dai sanshū), 1924

Kawase Hasui

A work made of etching, burnished aquatint, drypoint and burin on ivory laid paper.

Another way of hunting on foot, plate two from The Art of Bullfighting, 1814/16, published 1816

Francisco José de Goya y Lucientes

A light-brown, kettlebell-shaped vessel with a top spout features a red line drawing of a seated warrior facing right, wearing a stylized patterned dress and holding a weapon.

Stirrup Spout Vessel with Fineline Enthroned Warrior Motif, 100 BCE–500 CE

Moche

A work made of terracotta, red-figure.

Kylix (Drinking Cup), about 460 BCE

Penthesilea Painter

Marcel Duchamp: The Art of Making Art in the Age of Mechanical Reproduction

Marcel Duchamp: The Art of Making Art in the Age of Mechanical Reproduction, 1999

Studio Blue

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