Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of pen and brown ink, with brush and brown wash, over black chalk, on tan laid paper, laid down on ivory laid paper.

Family of Darius before Alexander, n.d.

Polidoro da Caravaggio

A work made of colored pencil and graphite on off-white wove paper.

Untitled, 2005

Alexander Ross

A work made of oil on canvas.

Old Testament Figures in Paradise, 1751–60

Don Francisco Bayeu y Subías

A work made of bronze.

Stray Horse, 1906

E. Drappier

A work made of wild silk and cotton, complementary weft plain weave double cloth.

Purple Bird, c. 1899

Charles Francis Annesley Voysey

A work made of etching and drypoint on white wove paper.

Plate 20, from Dead Souls, 1923–27

Marc Chagall

A work made of gouache, with watercolor and gold and silver paints on ivory wove paper, laid down on linen canvas.

Cupid's Hunting Fields, 1885

Sir Edward Burne-Jones

A sepia-toned still from a video work. A tall African American man dressed in a trench coat, a hat, and sneakers kicks a metal bucket down a street at night. A white car passes by and streetlamps illuminate the scene.

Phat Free, 1995/99

David Hammons

A work made of etching and drypoint on ivory laid paper.

Alexander in the Studio of Apelles, 1662

Salvator Rosa

A work made of bronze, with patina of bronze doré.

Louisiana Purchase Exposition commemorative medal, 1904

Adolph Alexander Weinman

A work made of gelatin silver print.

Alexander Calder, 1936, printed 1959

George Platt Lynes

A work made of linen, satin damask weave, embroidered with cotton, polyester, and/or silk, and human hair.

Dispersions (no. 20), 2013

Anne Wilson

A work made of etching and aquatint on ivory laid paper.

There They Go Plucked (i.e. fleeced), plate 20 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of wild silk, cotton and dyes; woven double-cloth.

Furnishing Fabric, c. 1900

Alexander Morton & Co.

Vibrantly colored painting of nude woman lying, and man standing, in lush landscape.

Earthly Paradise, 1916–20

Pierre Bonnard

Surrounded by lush, bright foliage, man and a young girl at close range lean against a fence near a lake. The man is smoking, and both wear straw hats.

Near the Lake, 1879–80

Pierre-Auguste Renoir

A light-skinned nude woman, center, struggles while a light-skinned nude man, top left, violently pulls white translucent fabric off of her. Dark red and brown textiles, a pillow, dagger, and fallen nude statue complete the scene.

Tarquin and Lucretia, 1578–80

Tintoretto

A work made of albumen print, pl. 88 from the album "gardner's photographic sketch book of the war, volume ii" (1866).

Ruins of Petersburg and Richard Raidroad Bridge, April 1864

Alexander Gardner

A work made of chromogenic print.

Route 80, Pennsylvania, 1978

Joe Maloney

A work made of gelatin silver print.

Volcano 80, 1980

Aaron Siskind

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