Building for Brussels

Building for Brussels, 2010–2012

Project Projects

Snow Mass Interfaith Chapel, Snow Mass, Colorado, Design Sketches and Drawings

Snow Mass Interfaith Chapel, Snow Mass, Colorado, Design Sketches and Drawings, 1982

Harry Weese Associates

The Compleat Angler or the Contemplative Man's Recreation, Volume I

The Compleat Angler or the Contemplative Man's Recreation, Volume I, 1880s

Peter Henry Emerson

A work made of pen and brown ink, with brush and brown wash, on cream laid paper, laid down on ivory laid paper.

Alexander Cutting the Gordian Knot, n.d.

Maturino da Firenze

A work made of gelatin silver (chloride) print.

Portrait of a Russian Boy, 1929

Alexander Leventon

A work made of albumen print, pl. 67 from the album "gardner's photographic sketch book of the war, volume ii" (1866).

Quarles' Mill, North Anna, Virginia, May 1864

Alexander Gardner

Photograph of a light-skinned adolescent girl with straight, shoulder-length brown hair, arms at her sides. She wears a black, one-piece swimsuit and stands on a beach, looking away from the water and directly into the camera. A small wave crashes into the beach behind her, beneath a gray sky.

"Coney Island, N.Y., U.S.A, June 20, 1993," from Beach Portraits, 1993

Rineke Dijkstra

Painted portrait dominated by loose, large brushstrokes of a woman, seen from the back, wearing a gauzy white off-the-shoulder dress and black choker, blond hair swept up, examining herself in a mirror at left. The background is a feathered swirl suggesting floral pattern in cool pale tones of gray, purple, pink, and blue.

Woman at Her Toilette, 1875–80

Berthe Morisot

A work made of albumen print, pl. 24 from the album "gardner's photographic sketch book of the war, vol. 1" (1866).

Scene in Pleasant Valley, Maryland, October 1862

Alexander Gardner

A work made of albumen print, pl. 89 from the album "gardner's photographic sketch book of the war, volume ii" (1866).

Libby Prison, Richmond, Virginia, April 1864

Alexander Gardner

A work made of mezzotint with engraving in black on ivory wove paper, laid down on ivory wove paper (chine collé).

Portrait of Alexander Hamilton, published 1895

William Sartain

A work made of wool and silk; slit, dovetailed, and double interlocking tapestry weave warp: count; 6 warps per cm; wool: s-ply of three z-spun elements; diameter: 1.5 mm weft: count: varies from 17 to 28 wefts per cm; wool; s-ply of two z-spun elements; pairs of s-ply ol two z-spun elements; diameters: 0.5–1.5 mm; silk: s-ply of two z-twisted elements; pairs of s-ply of two z-twisted elements; diameters: 0.35–1.0 mm; wool and silk: paired yarns of s-ply of two z-spun wool elements and s-ply of two z-twisted silk elements; diameter: 0.8 mm.

Alexander Kneeling before Jaddus at the Gates of Jerusalem [left section] from The Story of Alexander the Great, c. 1600

Nicolaas van Orley

A work made of marble.

Fragment of a Funerary Naiskos (Monument in the Shape of a Temple), about 330 BCE

Ancient Greek

A work made of bound volume of albumen prints (20).

Photographic Sketch Book of the Civil War, Volume I, 1861/65

Alexander Gardner

A black woman wearing a white shirt and black trousers looks back while dancing, arms stretched, blurry, moving towards the camera as she leans forward. Behind her, a man in an all-white suit, black sunglasses, and a hat stands wide with his hands blurry too, his mouth open like he's saying something.

Untitled, from the series "The Garage" (1970-80), 1972

Mikki Ferrill

A work made of graphite on strathmore paper.

System of Architectural Ornament, Plate 20, Finis, 1923

Louis H. Sullivan

A work made of gouache on off-white wove paper.

20 April 74, 1974

Anne Truitt

A work made of colored pencil and watercolor on gray construction paper.

Alexander Hamilton Memorial, Chicago, Illinois, Perspective, 1932–1937

Eliel Saarinen

A work made of gouache, with watercolor and gold and silver paints on ivory wove paper, laid down on linen canvas.

Cupid's Hunting Fields, 1885

Sir Edward Burne-Jones

A work made of engraving printed in black on paper.

Alexander and Roxana, 16th century

Giovanni Jacopo Caraglio