Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of etching on ivory wove paper.

Castel Sant'Angelo, 1746

Alexander Cozens

A work made of pen and black ink on white wove paper.

To Mary Reynolds Who Loved Cats, 1955

Alexander Calder

A work made of wool and silk, slit and double interlocking tapestry weave.

The Crossing of the Granicus, from The Story of Alexander the Great, 1619

Karel van Mander, II

A work made of oil on canvas.

The Children's Lunch, 1928

Alexander Brook

A work made of silver.

Tertradrachm (Coin) Portraying Alexander the Great as Herakles, 336-323 BCE

Ancient Greek

A work made of gelatin silver print.

Brooklyn Bridge, 1938

Alexander Alland

A work made of lithograph printed in black and red on paper.

Lithograph inscribed "With love to Mary and Marcel from Sandy Nov/46", 1946

Alexander Calder

A work made of steel and silver.

Pair of Flintlock Pistols, 1750/75

Alexander Campbell

A work made of letterpress on ivory wove paper.

Introduction Page, from Conspiracy, The Artist as Witness, 1971

Alexander Calder

A work made of pen and black ink and gouache on tan wove paper.

Untitled, n.d.

Alexander Calder

A work made of white gouache on gelatin silver prints, cut torn and tipped together.

20 Years of Solitude, 1993

Anselm Kiefer

A work made of gelatin silver print.

Nude No. 99, New York, 1949/50, printed 1949/50

Irving Penn

A work made of letterpress on ivory wove paper.

Title Page, from Conspiracy, The Artist as Witness, 1971

Alexander Calder

A work made of gouache with watercolor, over graphite, on ivory wove paper.

Untitled, 1942

Alexander Calder

A work made of aquatint on ivory wove paper.

Untitled, 1965

Alexander Calder

A work made of silk, twill weave; screen printed.

Scarf, 1969

Alexander Calder

A work made of pen and black ink on cream wove paper.

Three on a Horse, 1931

Alexander Calder

A work made of gouache and brush and black ink on ivory wove paper.

Blue Half Circle, 1970

Alexander Calder

A work made of watercolor and pen and black ink, with touches of gouache, on white watercolor paper.

Composition with Yellow, Brown and Red Forms, 1942

Alexander Calder

A work made of albumen print, pl. 40 from the album "gardner's photographic sketch book of the war, vol. 1" (1866).

A Sharpshooter's Last Sleep, Gettysburg, Pennsylvania, July 1863

Alexander Gardner

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