Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
Page 13, from Nostalgia for the Present

Page 13, from Nostalgia for the Present, 1977–79

Alexander Liberman

Page 14, from Nostalgia for the Present

Page 14, from Nostalgia for the Present, 1977–79

Alexander Liberman

Page 15, from Nostalgia for the Present

Page 15, from Nostalgia for the Present, 1977–79

Alexander Liberman

Page 17, from Nostalgia for the Present

Page 17, from Nostalgia for the Present, 1977–79

Alexander Liberman

Translation page, from Nostalgia for the Present

Translation page, from Nostalgia for the Present, 1977–79

Alexander Liberman

Colophon page, from Nostalgia for the Present

Colophon page, from Nostalgia for the Present, 1977–79

Alexander Liberman

A work made of albumen print, stereo.

Tintern Abbey: South Aisles, late 19th century

Alexander Wilson

A work made of brush and black ink, with gouache, on off-white wove paper.

Untitled, study for Universe, 1974

Alexander Calder

A Machine to Use Against our Walls

A Machine to Use Against our Walls, 2018

Alexander Massouras

A work made of oil on wood.

Figure, 1917-1921/1950s

Alexander Archipenko

A work made of etching on paper.

Lionel Sackville, Duke of Dorset, 1757

Alexander Bannerman

Untitled

Untitled, 1990

Alexander Ross

A work made of color lithograph on cream wove paper.

20 Years of "Underground" Posters, 1928

Harold Sandys Williamson

A work made of leather-bound book, containing sulfur-toned gelatin silver prints (60).

A Century of Progress International Exposition, 1933/34

Kaufmann & Fabry Co.

A work made of wool and silk, slit and double interlocking tapestry weave.

Autumn, from The Seasons, 1700/20

Charles Le Brun

A work made of cotton, plain weave variation in creped fibers; stenciled and painted.

Diana and the Stag, 1901/50

Raymond Duncan

Earthenware yellow pitcher decorated with silver bands and male portrait in black and white with inscription "The determined enemy of corruption and the /constitutional friend of his SOVEREIGN".

Pitcher, 1810/20

A work made of etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper.

La Salute: Dawn, 1879/80

James McNeill Whistler

Steel helmet with brass stripe trim, leather ties.

Portions of a Jousting Helmet, 1570/80

A work made of engraving in black ink on cream laid paper.

Descent into Limbo, 1475/80

Andrea Mantegna

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