Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
Page 13, from Nostalgia for the Present

Page 13, from Nostalgia for the Present, 1977–79

Alexander Liberman

Page 14, from Nostalgia for the Present

Page 14, from Nostalgia for the Present, 1977–79

Alexander Liberman

Page 15, from Nostalgia for the Present

Page 15, from Nostalgia for the Present, 1977–79

Alexander Liberman

Page 17, from Nostalgia for the Present

Page 17, from Nostalgia for the Present, 1977–79

Alexander Liberman

Translation page, from Nostalgia for the Present

Translation page, from Nostalgia for the Present, 1977–79

Alexander Liberman

Colophon page, from Nostalgia for the Present

Colophon page, from Nostalgia for the Present, 1977–79

Alexander Liberman

View Beyond a Meadow

View Beyond a Meadow, n.d.

Alexander Nasmyth

Fisherman on River Outside City

Fisherman on River Outside City, 1830/40

Alexander Nasmyth

Riverbank

Riverbank, n.d.

Alexander Nasmyth

A work made of albumen print, stereo.

Tintern Abbey: South Aisles, late 19th century

Alexander Wilson

A work made of brush and black ink, with gouache, on off-white wove paper.

Untitled, study for Universe, 1974

Alexander Calder

A Machine to Use Against our Walls

A Machine to Use Against our Walls, 2018

Alexander Massouras

Untitled

Untitled, 1990

Alexander Ross

A work made of oil on wood.

Figure, 1917-1921/1950s

Alexander Archipenko

A work made of etching on paper.

Lionel Sackville, Duke of Dorset, 1757

Alexander Bannerman

A work made of etching and aquatint on ivory laid paper.

A Bad Night, plate 36 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of silver, leather, turquoise, and copper alloy.

Bow Guard (Ketoh), 1900–20

Diné (Navajo)

A work made of ink, watercolor, and collage on paper.

At Jennie Richee part 20 169 (recto) Watch Approach of Black Cloud (verso) Untitled Fantastic Scene: Girls Running in Stormy Landscape, n.d.

Henry Darger

A work made of transfer lithograph on cream wove paper.

Sylvan Pass, 1919–20

Arthur B. Davies

A work made of etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper.

La Salute: Dawn, 1879/80

James McNeill Whistler

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