Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of pen and brown ink, with graphite on tan wove paper.

Head of Anatolia, 1900/20

Amedeo Modigliani

A work made of cotton, plain weave; screen printed.

Animal Forms (Furnishing Fabric), 1942

Angelo Testa

Large tapestry, god and goddess on cloud in forest, surrounded by numerous objects.

Winter, from The Seasons, 1700/20

Charles Le Brun

A work made of 47 pages (some double-sided), black fiber-tipped pen, blue and black ballpoint pens, colored pencils, and graphite on white wove graph paper.

Untitled, c. 1976

Christina Ramberg

A work made of color woodblock print; edition 1/20.

Suspicions of Flowers (Hana no utagai), 1959

Takagi Shiro

A work made of drypoint and aquatint in black on tan wove paper.

Leaving the Bath, 1879–80

Hilaire Germain Edgar Degas

A work made of drypoint and aquatint on ivory laid paper.

Leaving the Bath, 1879–80

Hilaire Germain Edgar Degas

A work made of two 800 pound limestone boulders and steel rod.

and, 1997/99

Janine Antoni

A work made of oil on canvas.

Samuel Fisher Bradford, 1803–8

Rembrandt Peale

A work made of gold.

Aureus (Coin) Portraying Emperor Hadrian, 120-123, issued by Hadrian

Ancient Roman

A work made of oil on canvas.

Near Pontoise, c. 1918/20

Maurice de Vlaminck

A work made of monotype in black ink on cream laid paper.

Café-Concert Singer, 1878/80

Hilaire Germain Edgar Degas

A work made of silk, plain weave; screen printed.

Kardinal (Cardinal) (Dress or Furnishing Fabric), 1911/13

Dagobert Peche

A work made of transfer lithograph on cream card.

Hamadryads, 1919–20

Arthur B. Davies

A work made of alabaster.

Saint John the Baptist, 1370/80

French

A work made of watercolor on ivory.

Portrait of James Butler, 1st Duke of Ormond (1610-1688), 17th century

Thomas Flatman

A work made of pen and black ink over graphite, with corrections by the artist in white opaque paint, on cream wove card.

A Club on a Cushion, 1898/99

James McNeill Whistler

A work made of wool, slit and single interlocking tapestry weave.

Pasque Flower (Rug?), 1929

Marta Maas-Fjetterstrom

A work made of cotton, cotton bouclé, and wild silk, plain weave, double cloth of complementary wefts.

Panel, c. 1897

Arthur Silver

A work made of graphite heightened with white chalk, on tan laid paper, tipped onto green laid paper.

Man on a Horse, n.d.

Wilhelm Alexander Wolfgang von Kobell

<<<20212223 >>>