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A work made of drypoint and aquatint on ivory laid paper.

Leaving the Bath, 1879–80

Hilaire Germain Edgar Degas

A work made of gelatin silver print.

Untitled, from the series "The Garage" (1970/80), 1970/80

Mikki Ferrill

A work made of gelatin silver print.

Untitled, from the series "The Garage" (1970/80), 1970/80

Mikki Ferrill

A work made of graphite heightened with white chalk, on tan laid paper, tipped onto green laid paper.

Man on a Horse, n.d.

Wilhelm Alexander Wolfgang von Kobell

A work made of bronze.

Biconical Bead Necklace, Geometric Period (800–600 BCE)

Ancient Greek

A work made of monotype in black ink on cream laid paper.

Café-Concert Singer, 1878/80

Hilaire Germain Edgar Degas

A work made of alabaster.

Saint John the Baptist, 1370/80

French

A work made of nylon-wrapped-metallized-polyester film and raffia, plain weave.

Sample (Rose Sachet) (UP. 148U#6/#10/#17 with #20 & #80 raffia), 1992

Robert D. Sailors

A work made of albumen print.

Untitled (Army camp, perhaps from the Battle of Lookout Mountain, Chattanooga, Tennessee), c. 1863

Charles Peck

A work made of bronze.

Bell, Geometric Period (800–600 BCE)

Ancient Greek

A work made of steel, brass, and cherrywood.

Triple-Wheellock Pistol, 1610/20

Wolf Jung

A work made of silver.

Denarius (Coin) Portraying Emperor Vespasian, 80-81

Ancient Roman

A work made of woodblock print; edition 20/50.

Road to Ikaruga C (Ikaruga michi C), 1970

Sasajima Kihei

A work made of watercolor and pen and brush and black ink, with touches of graphite, on cream wove paper.

Cafe Neptune, 1919/20

George Grosz

A work made of cotton, plain weave; screen printed.

Animal Forms (Furnishing Fabric), 1942

Angelo Testa

A work made of transfer lithograph on cream wove paper.

Conversation, 1919–20

Arthur B. Davies

A work made of gold.

Aureus (Coin) Portraying Emperor Hadrian, 120-123, issued by Hadrian

Ancient Roman

A work made of oil on canvas.

Samuel Fisher Bradford, 1803–8

Rembrandt Peale

A work made of pencil on tracing paper.

Joseph Ricker House, Chicago Illinois, Perspective Sketch, c. 1925

Alexander Spitz

A work made of pen and brown ink and brush and brown wash, heightened with lead white (partly discolored), on ivory laid paper, laid down on ivory laid paper.

Allegorical Figure with Arms of Alexander VIII (Ottoboni) and Arms of Papacy, n.d.

Francesco Mancini

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