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A work made of gelatin silver print.

Untitled (Grandassa with Album Covers), 1960

Kwame Brathwaite

A work made of gelatin silver print.

Untitled (Grandassa), c. 1960s

Kwame Brathwaite

A work made of gelatin silver print.

Untitled (Grandassa), c. 1960s

Kwame Brathwaite

A work made of gelatin silver print.

Untitled (Grandassa), c. 1960s

Kwame Brathwaite

A work made of gelatin silver print.

Untitled (Grandassa), c. 1960s

Kwame Brathwaite

A work made of chromogenic print.

Untitled (Grandassa), c. 1970s

Kwame Brathwaite

A work made of offset print.

Untitled (Poster for Naturally ‘70), 1970

Kwame Brathwaite

A work made of offset print.

Untitled (Poster for Naturally ‘92), 1992

Kwame Brathwaite

Untitled (Garvey Day Deedee in Car)

Untitled (Garvey Day Deedee in Car), c. 1965, printed 2018

Kwame Brathwaite

A work made of inkjet print.

Love Train, 2018

D'Angelo Lovell Williams

A work made of gelatin silver print.

Untitled (Harlem, New York), from the series "A Man Becomes Invisible" (1952), 1952

Gordon Parks

A work made of blue ballpoint pen, colored pencil, and pastel on ivory wove paper.

American Zeppolin Flight from New York City to Paris France in Year 1939, 1969

Joseph Yoakum

A work made of softground and spitbite etching, with drypoint on cream japanese paper, laid down on white wove paper (chine collé).

Untitled IV, 2002

Martin Puryear

A work made of gelatin silver print.

Pastor Ledbetter, Chicago, Illinois, from the series "Metropolitan Baptist Church" (1953), 1953

Gordon Parks

A work made of blue fountain pen, blue and black ballpoint pen, colored pencil, and pastel on paperboard.

Mt Calvalery Near Jeruselam in SO East Asia, n.d.

Joseph Yoakum

A work made of ink on paper.

falling event 9, 2014

Kemang Wa Lehulere

A work made of ink on paper.

grass greener on the other side 4, 2015

Kemang Wa Lehulere

A work made of pink, blue, black, and purple felt-tip pen, blue fountain pen, pastel, and colored pencil on cream wove paper.

Mt Mowbullan in Dividing Range near Brisbane Australia, 1970

Joseph Yoakum

Black-and-white portrait photograph in a gold mat and frame of two young women: a seated white woman at left and standing black woman at right. The white women reaches for a clear glass on a tray held by the black woman.

Untitled (Portrait of Two Women), 1848

A work made of etching with soft ground, aquatint, drypoint and engraving on fabriano rosapina bianco paper.

Act II, Scene 5, from UBU Tells the Truth, 1996–97

William Kentridge

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