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A work made of gelatin silver print.

Untitled (Grandassa), c. 1960s

Kwame Brathwaite

A work made of gelatin silver print.

Untitled (Grandassa), c. 1960s

Kwame Brathwaite

A work made of gelatin silver print.

Untitled (Grandassa), c. 1960s

Kwame Brathwaite

A work made of chromogenic print.

Untitled (Grandassa), c. 1970s

Kwame Brathwaite

A work made of offset print.

Untitled (Poster for Naturally ‘70), 1970

Kwame Brathwaite

A work made of offset print.

Untitled (Poster for Naturally ‘92), 1992

Kwame Brathwaite

Untitled (Garvey Day Deedee in Car)

Untitled (Garvey Day Deedee in Car), c. 1965, printed 2018

Kwame Brathwaite

A work made of gelatin silver print.

Untitled, c. 1948

Gordon Parks

Earthenware dish on a short stand decorated in blue with floral bands on a rim and on a skirted base. Central Chinese-style scene depicts birds in a floral garden. The glaze on a rim is damaged and reveals brownish earthenware material.

Afropick, 2005

Sanford Biggers

A work made of black ballpoint pen and watercolor on cream wove paper.

Mount Horeb Palestine, c. 1964

Joseph Yoakum

A work made of natural and synthetic fiber, wood, mirror and metal, shell, pieced from felted, knotted, and woven fabrics; printed and embroidered.

Masquerade Costume for Egungun (Paka), Late 19th/early 20th century

Yoruba

A work made of wood and metal.

Snuff Kerrie, Probably 19th century

Northern Nguni

A work made of gelatin silver print.

Mother and Child in Harlem, October 18, 1943

Weegee, (Arthur Fellig)

A work made of blue ballpoint pen on tan wove paper.

Alaskian Trail Betwen U.S. and Alaska, 1962/65

Joseph Yoakum

A work made of chromogenic print.

Barrage, 1998

Steve McQueen

A work made of etching with soft ground, aquatint, drypoint and engraving on fabriano rosapina bianco paper.

Act V, Scene 4, from UBU Tells the Truth, 1996–97

William Kentridge

A work made of blue ballpoint pen, pastel, and colored pencil on ivory wove paper.

Lake Placid Near Sebering, Florida, 1966

Joseph Yoakum

A work made of carbon transfer, graphite pencil, and blue ballpoint pen on cream wove paper.

Grand Coulee Dam in Washington State, 1965

Joseph Yoakum

A work made of color hard and soft ground etching, with drypoint on cream japanese paper, laid down on white wove paper (chine collé).

Untitled, 2001

Martin Puryear

Large black sculpture in the shape of Africa. The form is covered in gold chains, circular photographs or "medallions" depicting prominent African American figures, and other images and text. The sculpture hangs on a white wall. "

Africa Restored (Cheryl as Cleopatra), 2003-ongoing

Kerry James Marshall

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