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A work made of ceramic and pigment.

Vessel, Early 20th century

Nupe

A work made of terracotta.

Ritual Container, Early/mid–20th century

Mafa

A work made of terracotta.

Ritual Vessel, 12th /17th century

Inland Niger Delta

A work made of wood, animal fur (contemporary facsimile based on period examples), and twine.

Ritual Head, Mid–/late 19th century

Hemba

A work made of ceramic.

Funerary Urn, 19th/early 20th century

Kongo

A work made of lithograph in black on ivory wove paper.

Mother and Child, 1952

John Wilson

A work made of wood and pigment.

Dance Staff (Oshe Sango), Early 20th century

Yoruba

A work made of gold.

Pendant (Ram Head), Late 19th/mid–20th century

Baule

A work made of bronze.

Goldweight Depicting a Monkey, Early/mid–20th century

Akan-speaking peoples

A square-shape textile with a dual multicolor border features a painted five-by-four grid of images with the repeated face of a Black woman with short hair, Bessie Smith. Her face appears blue in each instance, while the outline of her facial features, her hair, and clothing alternate colors in varying shades of yellow and orange. The background of each square likewise alternates between shades of blue and green, some with an influx of red.

American Collection #5: Bessie's Blues, January 19, 1997

Faith Ringgold

A work made of calabash.

Cocoa Tree-Shaped Stamp for Adinkra Textile, Late 19th/mid–20th century

Asante

A work made of wood and iron.

Figural Staff, Probably late 19th century

Baule

A work made of silver, enamel, niello, glass, leather, and fabric.

Pair of Earrings, Late 19th or early 20th century

Ida Ou Nadif

A work made of wood and iron.

Ceremonial Weapon, Late 19th/mid–20th century

Baule

A work made of wood and plant fibers.

Hair Comb, Early 20th century

A work made of terracotta and slip.

Storage Container, Early/mid–20th century

Bwa

A work made of silk, warp-faced plain weave with supplementary patterning warps and supplementary brocading wefts; five panels joined; finished at both ends with knotted and braided warp fringe.

Panel (Lamba Mpanjaka), 1997

Antoine Rakotoarinala

A work made of blackened terracotta.

Container, Possibly for Use as an Oil Lamp, Early/mid–20th century

Nsei

A work made of lithographic crayon, with scraping and smudging, on cream wove paper.

Breadwinner (War), 1942

John Wilson

A woman with dark brown skin and an afro reclines on a patterned yellow couch, her legs crossed in the foreground. She wears hoop earrings, a loose purple top, and yellow eyeshadow.

Can't We Just Sit Down and Talk it Over?, 2006–07

Mickalene Thomas

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