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A work made of gelatin silver print.

Untitled, c. 1960

Malick Sidibé

A work made of gelatin silver print.

Untitled (I Pose with my Cap) [Sans titre (Je pose avec ma casquette)], c. 1965

Malick Sidibé

A work made of raffia, plain weave; embroidered with raffia in stem stitches and running stitches cut to form pile.

Panel, Possibly mid–20th century

Kuba

Watercolor painting of a bright-pink bedroom with skewed perspective and flattened forms. Placed diagonally is a bed with a yellow bedframe and red striped sheets. In the center background is a blue dresser with an oval mirror, and on the right is a doorway through we can see a black-skinned figure holding something, possibly a baby.

Virginia Interior, 1942

Jacob Lawrence

Human figures in many colors wearing hats stand with their heads down near a yellow figure upside down, entwined with another figure, on a purple horse. The yellow figure is the only one in the work with facial features.

The Procession, 1963

Bob Thompson

Color print with an ombre sky that fades from bright blue at the top to pale blue at the bottom. At the bottom of the frame, a youthful black figure wearing a cloak looks upward. A large conch shell in vibrant pink floats above the person's head.

Love Letter III, 1977

Charles White

A work made of toned gelatin silver print with mixed media.

Mama Wata, 1995

Radcliffe Bailey

A work made of cotton and wool, plain weave with supplementary wrapping wefts forming cut pile; wrapped with cotton.

Hanging, 1980

Thoko Zile

Abstract print of intersecting, curved white lines and loops against a solid black background. Three white rectangular shapes intersect the overlapping lines and loops.

Carma, from Cane, 2000

Martin Puryear

A work made of african hardwood.

Tray (Chano), 1930s

Goldweight with a Geometric Pattern

Goldweight with a Geometric Pattern, 18th/19th century

Asante

A work made of raffia, plain weave; embroidered in stem stitches and running stitches cut to form pile.

Panel, Possibly mid–20th century

Kuba

A work made of gelatin silver print.

Untitled, from the series "The Garage" (1970/80), 1970

Mikki Ferrill

A photograph of a gallery installation. The installation is a dyed canvas draped over two wooden sawhorses. The colorful canvas is almost sculptural, folded and bunched in space on top of the sawhorses.

"A" and the Carpenter I, 1973

Sam Gilliam

A work made of cotton and wool, plain weave with supplementary wrapping wefts forming cut pile through a technique known as "ghiordes knots".

Rug, 1938

A work made of gelatin silver print.

Jeanette and Floyd Simpson Wedding, 1988

Kerry Coppin

How Do You Get a Nigger Out of a Tree?

How Do You Get a Nigger Out of a Tree?, 1987

Carrie Mae Weems

A work made of copper alloy.

Goldweight Depicting a Seated Figure with Arm Raised, 19th/mid–20th century

Asante

A work made of gelatin silver print.

Double-exposure Self-portrait in Place du paysan noir (Black Farmer Square), 1965-75

Ibrahima Sanlé Sory

A work made of color offset lithograph on white wove paper.

South African Women Unite Against Apartheid, 1975/94

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