Indigenous Kalinago of St. Vincent [Aboriginal Caraibs of St. Vincents], 1730 - 1796
Agostino Brunias
Blossoming Plum under Sun and Moon (right scroll), 1731 - 1808
Imei Shūkei 維明周奎
Blossoming Plum under Sun and Moon (left scroll), 1731 - 1808
Imei Shūkei 維明周奎
The Reverend John Cotton of Newton, 1688 - 1751
Attributed to John Smibert
Our Lady of Bethlehem with Portrait of an Indigenous Donor
Unidentified Artist
The Virgin of the Miracle with a Donor
Unidentified Artist
Seated Chijang Posal (Chinese, Dizang Pusa; Sanskrit, Bodhisattva Ksitigarbha) Flanked by Monk Tomyŏng (Chinese, Daoming) and Demon King Mutok Kuiwang (Chinese, Wudu Guiwang) and Surrounded by the Ten Kings of Hell and Their Retinues
Korean
Landscape with a Figure Crossing a Bridge to Reach a Village Nestled in a Mountain Valley, 1707 - 1769
Shim Sa-chŏng (also known as Yi-suk ['cha']; Hyŏn-chae ['ho'])
Alms-Bowl Pond (Pal-yŏn) in the Diamond Mountains [Kŭm-kang-san], originally in an album depicting the "Complete Views of the Diamond Mountains" [Kŭm-kang chŏn-to], 1745 - 1806
Kim Hong-to (also known as Sa-nŭng ['cha']; Tan-wŏn ['ho'])
Verdant Cliffs at Ku-tam [Tortoise Lake], Tan-yang, probably originally from an album of eight leaves depicting "Eight Views of Tan-yang" [Tan-yang p'al-kyŏng], 1676 - 1759
Traditionally attributed to Chŏng Sŏn (also known as Wŏn-paek ['cha']; Kyŏm-chae ['ho'])
Landscape After Wang Meng's "Immortal Abode in the Pine Covered Mountains", 1632 - 1717
Wang Hui 王翬
Carp Leaping above White-Capped Waves
Korean
Bamboo through the Four Seasons, 1675 - 1756
Yu Tŏk-chang (also known as Su-un and Ka-san-ŭng)
Monks in a Ruined Crypt, 1775 - 1849
François-Marius Granet
Hundred Beauties
Chinese
Genre Scenes, in the Style of Qiu Ying
Chinese
Scenes at Court
Chinese
Two scroll fragments: Illustration and Calligraphic Section of "Korean Acrobats Performing on Horseback"
Japanese
Legend of Tawara Tōda (Tawara Tōda emaki) Vol. 2
Japanese
Illustrated Scroll of Bunshō, the Honest Man (Bunshō emaki)
Japanese