Devotional Sufi Text (recto and verso), folio from a manuscript
Ottoman
Art Theory Text with Minimum and Maximum Ratio Differential Diagrams, 1892 - 1964
Stuart Davis
Art Theory Text with Minimum and Maximum Ratio Differential Diagram, 1892 - 1964
Stuart Davis
Art Theory Text with Study for “Max #1” and “Max #2”, 1892 - 1964
Stuart Davis
Art Theory Text with Sketch of “Max #1” and “Max #2”, 1892 - 1964
Stuart Davis
Art Theory Text with Stars and C-Scale Object Diagram, 1892 - 1964
Stuart Davis
Art Theory Text with Study for “Little Giant Still Life”, 1892 - 1964
Stuart Davis
Art Theory Text with Types A and B Configuration and Abuttal Diagrams, 1892 - 1964
Stuart Davis
Art Theory Text with Study of “Ursine Park” and “Synthetic Souvenir, 1892 - 1964
Stuart Davis
Art Theory Text with Grids; verso: Study for “Analgesic Emblem”, 1892 - 1964
Stuart Davis
Art Theory Text with Angular Direction in Color-Space Diagram, 1892 - 1964
Stuart Davis
Art Theory Text with Modeled versus Flat Plane Diagrams, 1892 - 1964
Stuart Davis
Art Theory Text with Sketches and Convex, Concave, and Flat Diagrams, 1892 - 1964
Stuart Davis
Blossoming Chrysanthemum, 1789 - 1866
Cho Hŭi-ryong
Text with Thistle and Grass, for the "Ballad of Santa Zita" from "Tuscan Songs", 1837 - 1917
Francesca Alexander
Rest on the Return from Egypt
Unidentified Artist
Road to Ruin, 1756 - 1827
Thomas Rowlandson
Tile with interlocking half-palmettes and rosettes
Turkish
Siyavush Enthroned in a Garden Pavilion with Attendants, folio from a manuscript of the Shahnama by Firdawsi
Persian