Pines on Mount Tai (after Gao Qian [after Tang Yin]), 1723 - 1776
Ikeno Taiga 池大雅
Narcissus, 1891 - 1975
Dōmoto Inshō
Pavilion by a Waterfall and Stream, 1808 - 1893
Hŏ Ryŏn 허련 許鍊 (also known as So-ch'i and Ma-hil)
Untitled (bleed-through of previous page, left page); Untitled (seal, right page)
German
Fragment of Cuneiform Tablet: Old Assyrian Letter
Assyrian
Landscape after Huang Gongwang and Ni Zan, 1555 - 1636
Dong Qichang 董其昌
Illustration LXIII: the 6th figure: an angel holding the seal of God ascends from the east calling to the 4 angels, who stand at the 4 corners of the earth holding the winds, to wait until the servants of god have been sealed in their foreheads (Revelation 7), 16th century
Anonymous England 1539
Sarlawh of the double-page illuminated frontispiece; ownership notes and seals (notes and seals recto; sarlawh verso of folio 3), folio from a manuscript of the Mathnavi Ma‘navi by Maulana
Jalal al-Din Rumi
Persian
Orchids and Rocks, 1855 - 1921
Kim Ŭng-wŏn (also spelled Gim Eung'won; also known as So-ho and Ch'ŏn-ram)
Rushing Water (left screen), 1779 - 1846
Uragami Shunkin 浦上春琴
Orchids and Rocks, 1820 - 1898
Yi Ha-ŭng (also known as Taewŏn’gun)
Blossoming Chrysanthemum, 1789 - 1866
Cho Hŭi-ryong
Blossoming Plum, 1789 - 1866
Cho Hŭi-ryong
Bamboo, 1789 - 1866
Cho Hŭi-ryong
Connoisseur's Sketchbook by Kano Tan'yū (Tan'yū shukuzu), Copies of Buddhist Paintings in Two Volumes, 1602 - 1674
Kano Tan'yū 狩野探幽
Scholars Conversing on a High Plateau, 1730 - 1781
Soga Shōhaku 曾我蕭白
Tobosaku Stealing a Peach of Immortality, from the series Five Pictures of Symbols of Longevity (Kotobuki goban no uchi), 1787 - 1832
Yanagawa Shigenobu 柳川重信
Bamboo in Mist, 1868 - 1933
Kim Kyu-chin (also known as Hae-kang)
Pair of Paintings: Morning Glories (left) and Evening Glories (right), 1761 - 1828