Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
Canterbury

Canterbury, 1607 - 1677

Wenceslaus Hollar

A large open plaza, in front of a cathedral, and flanked by colonnaded three storey buildings on either side

Piazza San Marco, Venice, 1697 - 1768

Giovanni Antonio Canal, called Canaletto

A black and white photograph showing a seated man leaning and gazing away from the camera.

Untitled (self-portrait in library), 1834 - 1917

Hilaire-Germain-Edgar Degas

Ink stand with Greyhounds' Heads

Ink stand with Greyhounds' Heads, 1808 - 1888

Obadiah Rich

Calligraphy by Mir `Ali Haravi with paintings by an unknown artist (recto and verso), folio from an Anthology of Poetry

Calligraphy by Mir `Ali Haravi with paintings by an unknown artist (recto and verso), folio from an Anthology of Poetry, Calligrapher, active late 15th to first half of 16th century

Mir `Ali Haravi

Calligraphy by Mir `Ali Haravi with paintings by an unknown artist (recto and verso), folio from an Anthology of Poetry

Calligraphy by Mir `Ali Haravi with paintings by an unknown artist (recto and verso), folio from an Anthology of Poetry, Calligrapher, active late 15th to first half of 16th century

Mir `Ali Haravi

Calligraphy by Mir `Ali Haravi with paintings by an unknown artist (recto and verso), folio from an Anthology of Poetry

Calligraphy by Mir `Ali Haravi with paintings by an unknown artist (recto and verso), folio from an Anthology of Poetry, Calligrapher, active late 15th to first half of 16th century

Mir `Ali Haravi

Mihras, the Envoy of Ceasar, Offers Nushirvan the Treasure of Rum (text, recto; painting and text, verso), illustrated folio from a manuscript of the Shahnama of Firdawsi.

Mihras, the Envoy of Ceasar, Offers Nushirvan the Treasure of Rum (text, recto; painting and text, verso), illustrated folio from a manuscript of the Shahnama of Firdawsi.

Persian

Lovers with Pomegranate (painting, recto; calligraphy, verso), folio from an album, left-hand side of a bifolio

Lovers with Pomegranate (painting, recto; calligraphy, verso), folio from an album, left-hand side of a bifolio, Calligrapher, active late 15th to first half of 16th century

Attributed to Mir `Ali Haravi

Untitled (bleed-through of previous page, left page); Untitled (design for mining lamp sculpture over color transfer, right page)

Untitled (bleed-through of previous page, left page); Untitled (design for mining lamp sculpture over color transfer, right page), 1928 - 2014

Otto Piene

Untitled (bleed-through of previous page, left page); Untitled (design for mining lamp sculpture over color transfer, right page)

Untitled (bleed-through of previous page, left page); Untitled (design for mining lamp sculpture over color transfer, right page), 1928 - 2014

Otto Piene

Untitled (bleed-through of previous page and color transfer, left page); Untitled (notes and measurements for light sculpture "Intersection," right page)

Untitled (bleed-through of previous page and color transfer, left page); Untitled (notes and measurements for light sculpture "Intersection," right page), 1928 - 2014

Otto Piene

Untitled (adhered notes and design for mining lamp sculpture, left page); Untitled (adhered photocopy of sketch of "Davy-Lampe," right page)

Untitled (adhered notes and design for mining lamp sculpture, left page); Untitled (adhered photocopy of sketch of "Davy-Lampe," right page), 1928 - 2014

Otto Piene

Furniture Element with Feline Protome

Furniture Element with Feline Protome

Unidentified culture

Milan photograph: diagonal view of corner of Wilmarth's studio with "Normal Corner (New)," two unidentified sculptures on walls, three pieces of etched glass, and bundle of clothes with boots, 1973

Milan photograph: diagonal view of corner of Wilmarth's studio with "Normal Corner (New)," two unidentified sculptures on walls, three pieces of etched glass, and bundle of clothes with boots, 1973, 1943 - 1987

Christopher Wilmarth

Untitled (adhered notes on Bonn project, left page); Untitled (adhered photocopy or fax that has faded, right page)

Untitled (adhered notes on Bonn project, left page); Untitled (adhered photocopy or fax that has faded, right page), 1928 - 2014

Otto Piene

Untitled (bleed-through of previous page, left page); Untitled (view of Santorini, right page)

Untitled (bleed-through of previous page, left page); Untitled (view of Santorini, right page), 1928 - 2014

Otto Piene

Untitled (bleed-through of previous page, left page); Untitled (portrait of a child, right page)

Untitled (bleed-through of previous page, left page); Untitled (portrait of a child, right page), 1928 - 2014

Otto Piene

Untitled (bleed-through of previous page, left page); Untitled (color transfer, right page)

Untitled (bleed-through of previous page, left page); Untitled (color transfer, right page), 1928 - 2014

Otto Piene

Untitled (bleed-through of previous page, left page); Untitled ("monster drawing," right page)

Untitled (bleed-through of previous page, left page); Untitled ("monster drawing," right page), 1928 - 2014

Otto Piene

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