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The End of the Day

The End of the Day, 1780-1850

Totoya Hokkei 魚屋北渓

Raikō and the Demon Kite

Raikō and the Demon Kite, 1780-1850

Totoya Hokkei 魚屋北渓

Armor (for the Role of Katō Kiyomasa) on a Chest Belonging to Actor Ichikawa Danjūrō 5th, from the series Scenes Backstage (Gakuga niban tsuzuku)

Armor (for the Role of Katō Kiyomasa) on a Chest Belonging to Actor Ichikawa Danjūrō 5th, from the series Scenes Backstage (Gakuga niban tsuzuku), 1780-1850

Totoya Hokkei 魚屋北渓

Battledore and Shuttlecock and Envelope

Battledore and Shuttlecock and Envelope, 1798 - 1861

Utagawa Kuniyoshi 歌川国芳

YOUNG GIRL GAZING AT FUKUJUSO PLANT

YOUNG GIRL GAZING AT FUKUJUSO PLANT, 1780-1850

Totoya Hokkei 魚屋北渓

New Years Decorations: Crawfish and Fukujusō (Adonis) Plant

New Years Decorations: Crawfish and Fukujusō (Adonis) Plant, 1780-1850

Totoya Hokkei 魚屋北渓

Fuzoku Onna Suikoden Hyaku Hachi Nin No Uchii, "Ken Shogo"

Fuzoku Onna Suikoden Hyaku Hachi Nin No Uchii, "Ken Shogo", 1798 - 1861

Utagawa Kuniyoshi 歌川国芳

Genshōshichi, from the series Elegant Women's The Water Margin: From One Hundred and Eight Figures (Fuzoku onna Suikoden: Ippyaku-hachinin no uchi)

Genshōshichi, from the series Elegant Women's The Water Margin: From One Hundred and Eight Figures (Fuzoku onna Suikoden: Ippyaku-hachinin no uchi), 1798 - 1861

Utagawa Kuniyoshi 歌川国芳

Women Representing the 108 Heroes of the Suikoden, "Geisha Playing Musical Instrument"

Women Representing the 108 Heroes of the Suikoden, "Geisha Playing Musical Instrument", 1798 - 1861

Utagawa Kuniyoshi 歌川国芳

Benzaiten, Goddess of Fortune and Music, Appearing to Taira no Kiyomori, with poems by Raikyūtei Kazutaka, Hina no ya Shunshi (or Haruko) and Yayoian Hinamaru

Benzaiten, Goddess of Fortune and Music, Appearing to Taira no Kiyomori, with poems by Raikyūtei Kazutaka, Hina no ya Shunshi (or Haruko) and Yayoian Hinamaru, 1780-1850

Totoya Hokkei 魚屋北渓

European Woman with Sheep

European Woman with Sheep, 1780-1850

Totoya Hokkei 魚屋北渓

Matsushima, No. 1 (Sono ichi), from the set Three Scenic Views (Sankei no uchi)

Matsushima, No. 1 (Sono ichi), from the set Three Scenic Views (Sankei no uchi), 1780-1850

Totoya Hokkei 魚屋北渓

Miyajima, No. 3 (Sono san), from the set Three Scenic Views (Sankei no uchi)

Miyajima, No. 3 (Sono san), from the set Three Scenic Views (Sankei no uchi), 1780-1850

Totoya Hokkei 魚屋北渓

Courtesan Gazing at a Foreign Ship

Courtesan Gazing at a Foreign Ship, 1780-1850

Totoya Hokkei 魚屋北渓

Musician and Monkey Trainer, from the series Streets in Spring

Musician and Monkey Trainer, from the series Streets in Spring, 1780-1850

Totoya Hokkei 魚屋北渓

Hamagawa, from the series Pilgrimages to Enoshima

Hamagawa, from the series Pilgrimages to Enoshima, 1780-1850

Totoya Hokkei 魚屋北渓

Fan Paintings on the Theme of Three Auspicious New Year's Dreams

Fan Paintings on the Theme of Three Auspicious New Year's Dreams, 1780-1850

Totoya Hokkei 魚屋北渓

Urashima Tarō Going to the Princess

Urashima Tarō Going to the Princess, 1780-1850

Totoya Hokkei 魚屋北渓

Wu Daozi Painting Zhong Kui (the Demon Queller) in Red Ink/ Wu Daozi (Go), from the series Four Companions of Writing Chamber (Bunbō shiyū), with poems by Kurokao(?) Ryūjuen Chiyonari (from Mino), Funazono Suiki(?), Ryūjuen Tōki, and Ryū no ya (from Biyō)

Wu Daozi Painting Zhong Kui (the Demon Queller) in Red Ink/ Wu Daozi (Go), from the series Four Companions of Writing Chamber (Bunbō shiyū), with poems by Kurokao(?) Ryūjuen Chiyonari (from Mino), Funazono Suiki(?), Ryūjuen Tōki, and Ryū no ya (from Biyō), 1780-1850

Totoya Hokkei 魚屋北渓

PILGRIMAGING TO ENOSHIMA, "TOY SEA GULLS AT SAMESU "

PILGRIMAGING TO ENOSHIMA, "TOY SEA GULLS AT SAMESU ", 1780-1850

Totoya Hokkei 魚屋北渓

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