Perspective View of Dancers in an Interior, fl. 1799 - 1823
Ryūryūkyo Shinsai 柳々居辰斎
Courtesans, active about 1780 - 1801
Katsukawa Shunchō 勝川春潮
Courtesans, active about 1780 - 1801
Katsukawa Shunchō 勝川春潮
Narihira Ason shokan ryaku, active 1780 - 1800
Hosoda Eishō (Chōkōsai)
Courtesans Writing on Gaku as Offerings to the Temple Asakusa (Asakusa Kannon hōshoku-gaku no zu), ? - 1830
Kitagawa Tsukimaro
Boaters Watching a Fight, 1773 - 1828
Utagawa Toyohiro 歌川豊広
Boaters Watching a Fight, 1773 - 1828
Utagawa Toyohiro 歌川豊広
Perspective View of Dancers in an Interior, fl. 1799 - 1823
Ryūryūkyo Shinsai 柳々居辰斎
Narihira Ason shokan ryaku, active 1780 - 1800
Hosoda Eishō (Chōkōsai)
Landscape
Japanese
Enjoying the Evening Cool at Ryōgoku Bridge in Edo: A Great Display of Fireworks, active early 19th c.
Utagawa Kunitora 歌川国虎
The more I see you, the more I love him., p. 101, 1804 - 1866
Paul Gavarni
I have Charity, M. le Marquis; have Faith, p. 105, 1804 - 1866
Paul Gavarni
My dear: men, what a farce! It's always the same story: a woman has only herself. Crazy! Crazy!, p. 105, 1804 - 1866
Paul Gavarni
I hear a carriage. It's M. Chose [Thing] who comes to see his treasure. You mean his treasure-keeper, my dear., p. 107, 1804 - 1866
Paul Gavarni
Triptych: Ushiwaka (Minamoto Yoshitsune) Battling Tengu (Mitate setsu-getsu-ka no uchi kurama zuki), 1835 - 1900
Toyohara Kunichika
Letter A, 16th century
Anonymous France 1599
Letter D, 16th century
Anonymous France 1599
Letter P, 16th century
Anonymous France 1599
Letter C, 16th century
Anonymous France 1599