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Courtesans Writing on Gaku as Offerings to the Temple Asakusa (Asakusa Kannon hōshoku-gaku no zu)

Courtesans Writing on Gaku as Offerings to the Temple Asakusa (Asakusa Kannon hōshoku-gaku no zu), ? - 1830

Kitagawa Tsukimaro

Boaters Watching a Fight

Boaters Watching a Fight, 1773 - 1828

Utagawa Toyohiro 歌川豊広

Boaters Watching a Fight

Boaters Watching a Fight, 1773 - 1828

Utagawa Toyohiro 歌川豊広

Perspective View of Dancers in an Interior

Perspective View of Dancers in an Interior, fl. 1799 - 1823

Ryūryūkyo Shinsai 柳々居辰斎

Ono no Takamura (Buntoku jitsuroku), from the series Twenty-Four Japanese Paragons of Filial Piety for the Honchō Circle (Honchōren honchō nijūshikō), with poems by Yodonoya _sago and Sodenoya Soekichi

Ono no Takamura (Buntoku jitsuroku), from the series Twenty-Four Japanese Paragons of Filial Piety for the Honchō Circle (Honchōren honchō nijūshikō), with poems by Yodonoya _sago and Sodenoya Soekichi, 1786? - 1868

Yashima Gakutei 八島岳亭

Filial Son in Shinano (Shinano kōshi: Shasekishū), from the series Twenty-Four Japanese Paragons of Filial Piety for the Honchō Circle (Honchōren honchō nijūshikō), with poems by Chiyonoya Matsufuru and Umenoya Tsuruko

Filial Son in Shinano (Shinano kōshi: Shasekishū), from the series Twenty-Four Japanese Paragons of Filial Piety for the Honchō Circle (Honchōren honchō nijūshikō), with poems by Chiyonoya Matsufuru and Umenoya Tsuruko, 1786? - 1868

Yashima Gakutei 八島岳亭

Courtesans

Courtesans, active about 1780 - 1801

Katsukawa Shunchō 勝川春潮

Courtesans

Courtesans, active about 1780 - 1801

Katsukawa Shunchō 勝川春潮

Narihira Ason shokan ryaku

Narihira Ason shokan ryaku, active 1780 - 1800

Hosoda Eishō (Chōkōsai)

Courtesans Writing on Gaku as Offerings to the Temple Asakusa (Asakusa Kannon hōshoku-gaku no zu)

Courtesans Writing on Gaku as Offerings to the Temple Asakusa (Asakusa Kannon hōshoku-gaku no zu), ? - 1830

Kitagawa Tsukimaro

Boaters Watching a Fight

Boaters Watching a Fight, 1773 - 1828

Utagawa Toyohiro 歌川豊広

Boaters Watching a Fight

Boaters Watching a Fight, 1773 - 1828

Utagawa Toyohiro 歌川豊広

Perspective View of Dancers in an Interior

Perspective View of Dancers in an Interior, fl. 1799 - 1823

Ryūryūkyo Shinsai 柳々居辰斎

Narihira Ason shokan ryaku

Narihira Ason shokan ryaku, active 1780 - 1800

Hosoda Eishō (Chōkōsai)

Landscape

Landscape

Japanese

Enjoying the Evening Cool at Ryōgoku Bridge in Edo: A Great Display of Fireworks

Enjoying the Evening Cool at Ryōgoku Bridge in Edo: A Great Display of Fireworks, active early 19th c.

Utagawa Kunitora 歌川国虎

The more I see you, the more I love him., p. 101

The more I see you, the more I love him., p. 101, 1804 - 1866

Paul Gavarni

I have Charity, M. le Marquis; have Faith, p. 105

I have Charity, M. le Marquis; have Faith, p. 105, 1804 - 1866

Paul Gavarni

My dear: men, what a farce! It's always the same story: a woman has only herself. Crazy! Crazy!, p. 105

My dear: men, what a farce! It's always the same story: a woman has only herself. Crazy! Crazy!, p. 105, 1804 - 1866

Paul Gavarni

I hear a carriage. It's M. Chose [Thing] who comes to see his treasure. You mean his treasure-keeper, my dear., p. 107

I hear a carriage. It's M. Chose [Thing] who comes to see his treasure. You mean his treasure-keeper, my dear., p. 107, 1804 - 1866

Paul Gavarni

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