Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
Historiated Initial I

Historiated Initial I, 1696 - 1770

Giovanni Battista Tiepolo

Studies of Grotesques

Studies of Grotesques, 1557 - 1602

Agostino Carracci

Jeanne (Spring)

Jeanne (Spring), 1832 - 1883

Edouard Manet

Abraham Francen, Apothecary

Abraham Francen, Apothecary, 1606 - 1669

Rembrandt Harmensz. van Rijn

A young woman in a big hat is pinning flowers onto the hat of a girl.

The Pinned Hat, 1841 - 1919

Pierre-Auguste Renoir

Salvator Rosa

Salvator Rosa, 1740 - 1779

John Hamilton Mortimer

Blown Poppies

Blown Poppies, 1854 - 1934

Lily Blatherwick

Industrial Problems, Prevention of Accidents: Germany. Safety Devices in Various Manufacturing Plants: Fried. Krupp, Joint-stock Company, Cast-steel Factory, Essen. Safety aparatus for crucible steel founders.

Industrial Problems, Prevention of Accidents: Germany. Safety Devices in Various Manufacturing Plants: Fried. Krupp, Joint-stock Company, Cast-steel Factory, Essen. Safety aparatus for crucible steel founders.

Unidentified Artist

Gebr. Kappe & Company Factory Warehouse, Alfeld a.d. Leine, 1922-1924: Factory warehouse: perspective, 1 typical plan, 2  elevations; Academy for Philosophy (GA 17): basement and ground floor plans, model

Gebr. Kappe & Company Factory Warehouse, Alfeld a.d. Leine, 1922-1924: Factory warehouse: perspective, 1 typical plan, 2 elevations; Academy for Philosophy (GA 17): basement and ground floor plans, model, 1883 - 1969

Walter Gropius

Events

Events, 1938 - 2018

Takehisa Kosugi

Confederate Cabinet (maquette for carte de visite photograph, including six albumen silver prints depicting John C. Breckenridge, Alexander H. Stephens, Stephen R. Mallory, Jefferson Davis, Judah P. Benjamin, and John H. Reagan)

Confederate Cabinet (maquette for carte de visite photograph, including six albumen silver prints depicting John C. Breckenridge, Alexander H. Stephens, Stephen R. Mallory, Jefferson Davis, Judah P. Benjamin, and John H. Reagan), active 1844 - 1895

Mathew B. Brady & Studio

Double-sided wooden printing block: on one side a facsimile of the keyblock of Hiroshige's Clearing Storm over Awazu (Awazu no seiran), from the series Eight Views of Omi (Omi hakkei), on the reverse an anonymous green colorblock of willow branches in a storm

Double-sided wooden printing block: on one side a facsimile of the keyblock of Hiroshige's Clearing Storm over Awazu (Awazu no seiran), from the series Eight Views of Omi (Omi hakkei), on the reverse an anonymous green colorblock of willow branches in a storm, 1797 - 1858

Design after Utagawa Hiroshige 歌川広重

A black and white print portrays a scene outdoors with a large cannon, a village, and several people.

The Cannon, 1471 - 1528

Albrecht Dürer

A black and white print portrays a group of adults and children worshipping a baby inside a barn.

Adoration of the Magi, 1595 - 1675

Lucas Vorsterman, I

Three black-and-white prints portray the composite image of a family eating dinner in a kitchen.

Scene 3: Dinner Time, born 1983

LaToya M. Hobbs

Preface by Ota Nampo ('Yomo Sanjin" or Yomo no Akara) from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami)

Preface by Ota Nampo ('Yomo Sanjin" or Yomo no Akara) from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami), 1761 - 1816

Kitao Masanobu 北尾政演

Preface by Ota Nampo ('Yomo Sanjin" or Yomo no Akara) from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami)

Preface by Ota Nampo ('Yomo Sanjin" or Yomo no Akara) from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami), 1761 - 1816

Kitao Masanobu 北尾政演

Printing Block: Pages Twenty Seven (recto and verso) and Twenty Eight (recto and verso) of the Appendix to the Collected Literary Works of Hunsu Sŏnsaeng [Chŏng Manyang 鄭萬陽 (1664–1730)]

Printing Block: Pages Twenty Seven (recto and verso) and Twenty Eight (recto and verso) of the Appendix to the Collected Literary Works of Hunsu Sŏnsaeng [Chŏng Manyang 鄭萬陽 (1664–1730)]

Korean

An ink and watercolor drawing of two figures using a plank of wood and the remains of a column as a seesaw, surrounded by Classical architectural and sculptural ruins.

The See-Saw, 1733 - 1808

Hubert Robert

A drawing of a road in the middle of a forest

Wooded Landscape with a Distant View toward the Sea, 1526/30 - 1569

Pieter Bruegel, the Elder

<<<239240241242 >>>