Curator
Art Institute Chicago
Harvard art museum
My Exhibition
Now's the Time, 1746 - 1828
Francisco José de Goya y Lucientes
Heavier than a Dead Donkey: Feminine Folly, 1746 - 1828
Francisco José de Goya y Lucientes
Do Not Lose Honor Through Fear: Folly of Fear, 1746 - 1828
Francisco José de Goya y Lucientes
After Vice Comes Fornication: Simpleton, 1746 - 1828
Francisco José de Goya y Lucientes
Renounce the Friend Who Covers You With His Wings and Bites You With His Beak: Flying Folly, 1746 - 1828
Francisco José de Goya y Lucientes
It is Amazing - and We Were Made by God: Furious Folly, 1746 - 1828
Francisco José de Goya y Lucientes
She Who Is Ill-Wed Never Misses a Chance to Say No: Matrimonial Folly, 1746 - 1828
Francisco José de Goya y Lucientes
Two Heads Are Better Than One: Poor Folly, 1746 - 1828
Francisco José de Goya y Lucientes
Where There's A Will There's A Way: A Way of Flying, 1746 - 1828
Francisco José de Goya y Lucientes
Headless Horseman, 1897 - 1977
William Gropper
Devout Profession, 1746 - 1828
Francisco José de Goya y Lucientes
It Is Better to Do Nothing, 1746 - 1828
Francisco José de Goya y Lucientes
Don't Scream, Silly, 1746 - 1828
Francisco José de Goya y Lucientes
Right or Wrong, 1746 - 1828
Francisco José de Goya y Lucientes
They Don't Like It, 1746 - 1828
Francisco José de Goya y Lucientes
Nor These Either, 1746 - 1828
Francisco José de Goya y Lucientes
The Woman and the Horse, Let Someone Else Master Them: The Horse Abductor, 1746 - 1828
Francisco José de Goya y Lucientes
If Marion Will Dance, Then She Has To Take the Consequences, 1746 - 1828
Francisco José de Goya y Lucientes
Rejoice, Carnival, For Tomorrow Thou Wilt Be Ashes: Carnival Folly, 1746 - 1828
Francisco José de Goya y Lucientes
The Opposition, 1897 - 1977
William Gropper