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Tomb Figure in the Form of a Court Attendant Wearing Upturned Shoes, 'Liangdang' Breastplate, and Official's Headgear, with His Hands Clasped at His Chest, and Standing on a Perforated Rocky Base

Tomb Figure in the Form of a Court Attendant Wearing Upturned Shoes, 'Liangdang' Breastplate, and Official's Headgear, with His Hands Clasped at His Chest, and Standing on a Perforated Rocky Base

Chinese

Circular Bowl with Flaring Lip and Scrolling Floral Decor

Circular Bowl with Flaring Lip and Scrolling Floral Decor

Chinese

A man facing backwards on a horse as it runs inside a ring

At the Circus: Jockey (Au cirque: Jockey), 1864 - 1901

Henri de Toulouse-Lautrec

A textile fragment with a red background bearing a woven portrait of a bearded man next to a hand grasping a staff.

Fragments of a Hanging: St. Theodore and Inscription

Coptic

Vilaval Ragini

Vilaval Ragini

Indian

A low circular dish shown from the side. It is aqua colored with a tan rim.

Circular Flat Dish

Chinese

A portrait of a woman.

Portrait of a Young Woman, 1780 - 1867

Jean-Auguste-Dominique Ingres

A drawing of two seated women.

Portrait of Mrs. George Vesey and Her Daughter Elizabeth Vesey, later Lady Colthurst, 1780 - 1867

Jean-Auguste-Dominique Ingres

A portrait of a standing man.

Portrait of Count Rodolphe Apponyi, 1780 - 1867

Jean-Auguste-Dominique Ingres

Night

Night, 1833 - 1898

Edward Burne-Jones

Studies of a Man and a Woman for "The Golden Age"

Studies of a Man and a Woman for "The Golden Age", 1780 - 1867

Jean-Auguste-Dominique Ingres

Saint Luke

Saint Luke, 1590 - 1649

Circle of Simon Vouet

Self-Portrait

Self-Portrait, 1836 - 1904

Ignace-Henri-Jean-Théodore Fantin-Latour

A drawing of a cloudy seaside landscape with a group of figures on a mountain ledge.

The Terrace of Envious Souls (from Dante's "Divine Comedy"), 1757 - 1827

William Blake

The Good Argument

The Good Argument, 1808-1879

Honoré-Victorin Daumier

Two Illustrations from the “Gulistan” of Sa’di (mounted together): Judgement of a Prisoner (above), and A Liar Exposed at Court (below)

Two Illustrations from the “Gulistan” of Sa’di (mounted together): Judgement of a Prisoner (above), and A Liar Exposed at Court (below)

Attributed to Manohar

Sketch of kneeling woman clasping hands while wounded man reclines against her

Pietà, c. 1425 - 1489

Workshop of Simon Marmion

Landscape at l'Hermitage, Pointoise

Landscape at l'Hermitage, Pointoise, 1830 - 1903

Camille Pissarro

Allegory on the Art of Drawing with the Emblem of the Artist

Allegory on the Art of Drawing with the Emblem of the Artist, 1558 - 1617

Hendrick Goltzius

Study for the Start of the Race of the Barberi Horses

Study for the Start of the Race of the Barberi Horses, 1791 - 1824

Théodore Géricault

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