Venetian Sailor's Wine Flask, 1840 - 1930
Charles Herbert Moore
Late Gothic Doorway, Venice, 1840 - 1930
Charles Herbert Moore
Study of Drapery, from a Picture by Paul Veronese, in the Uffizi Gallery at Florence, 1840 - 1930
Charles Herbert Moore
Portion of a Predella Representing "The Death of a Virgin" by Nicolò [sic] Gerini, in the Florence Academy, 1840 - 1930
Charles Herbert Moore
Study of Running Figures, from a Picture by Paolo Uccello, in the National Gallery, 1840 - 1930
Charles Herbert Moore
Joseph's Blossoming Rod, from a Fresco by Taddeo Gaddi in the Church of Santa Croce at Florence, 1840 - 1930
Charles Herbert Moore
Ivy, Enlarged from an Early English Manuscript in the British Museum, 1840 - 1930
Charles Herbert Moore
Reduced Study of a Fresco, Representing Peter Released from Prison, by Filippino Lippi, in the Brancacci Chapel at Florence, 1840 - 1930
Charles Herbert Moore
Swan, from an Archaic Greek Vase in the British Museum, 1840 - 1930
Charles Herbert Moore
Tuscan Wine Flask, 1840 - 1930
Charles Herbert Moore
Houses in Simplon Village, 1840 - 1930
Charles Herbert Moore
Figure, from an Athenian Lekythos in the British Museum, 1840 - 1930
Charles Herbert Moore
Tree, from the Background of a Picture by an Early Flemish Master, in the Uffizi Gallery at Florence, 1840 - 1930
Charles Herbert Moore
Study, Reduced to about One Quarter, of Tintoret's Sketch of "The Entry into Jerusalem," in the Uffizi Gallery at Florence, 1840 - 1930
Charles Herbert Moore
Unfinished Study of Lioness and Cubs, from the North-West Door of the Duomo of Florence, 1840 - 1930
Charles Herbert Moore
Branch of Rhododendron; verso: Architectural Studies, 1840 - 1930
Charles Herbert Moore
Niagara Falls, 1842 - 1904
Sarah Wyman Whitman
"Good wife..., since we won't have time to see everything in one day, you look at the paintings on the right side...I'll look at those on the left...", 1808-1879
Honoré-Victorin Daumier
Layla and Majnun before the King Who Sees the Divine in Everything (painting recto, text verso of folio 33) from a manuscript of Subhat al-abrar by Jami
Hexagonal tile with floral and cloud pattern
Turkish