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Radha and Krishna Approaching Two Men (painting, recto; text, verso), folio from a Satsaiyya series

Radha and Krishna Approaching Two Men (painting, recto; text, verso), folio from a Satsaiyya series

Indian

Demons Approaching Rama and Lakshmana at a Fire Ceremony (Homa) (painting, recto), illustration from a Ramayana series

Demons Approaching Rama and Lakshmana at a Fire Ceremony (Homa) (painting, recto), illustration from a Ramayana series

Indian

Girls Worshipping at a Shiva Shrine, Rama and Lakshmana on the Left (painting, recto), illustration from a Ramayana series

Girls Worshipping at a Shiva Shrine, Rama and Lakshmana on the Left (painting, recto), illustration from a Ramayana series

Indian

Kali Quaffs Blood in the Pallava Camp (painting, recto; text, verso), illustrated folio from a manuscript

Kali Quaffs Blood in the Pallava Camp (painting, recto; text, verso), illustrated folio from a manuscript

Indian

Krishna and Rukmini in a Garden Pavilion (painting, recto; text, verso), folio from a Bhagavata Purana series

Krishna and Rukmini in a Garden Pavilion (painting, recto; text, verso), folio from a Bhagavata Purana series

Indian

Lovers with Pomegranate (painting, recto; calligraphy, verso), folio from an album, left-hand side of a bifolio

Lovers with Pomegranate (painting, recto; calligraphy, verso), folio from an album, left-hand side of a bifolio, Calligrapher, active late 15th to first half of 16th century

Attributed to Mir `Ali Haravi

Fragment of vessel with part of handle, handle cream and red-brown paint, interior of vessel dark-brown

Fragment of vessel with part of handle, handle cream and red-brown paint, interior of vessel dark-brown

Corinthian Globular Aryballos, figural composition not clear, tongues on shoulder, concentric circles painted on top of mouth

Corinthian Globular Aryballos, figural composition not clear, tongues on shoulder, concentric circles painted on top of mouth

Bahram Gur hunts with Azada (painting, verso; text, recto), folio from a manuscript of the Shahnama by Firdawsi

Bahram Gur hunts with Azada (painting, verso; text, recto), folio from a manuscript of the Shahnama by Firdawsi

Persian

Painting (recto), Introduction to the Gulistan (verso), folio 21 from a Manuscript of the Complete Works of Sa`di

Painting (recto), Introduction to the Gulistan (verso), folio 21 from a Manuscript of the Complete Works of Sa`di

Persian

Painting (recto), Introduction to the Bustan (verso), folio 48 from a Manuscript of the Complete Works of Sa`di

Painting (recto), Introduction to the Bustan (verso), folio 48 from a Manuscript of the Complete Works of Sa`di

Persian

Inserted photograph

Inserted photograph, 1928 - 2014

Otto Piene

Inserted sheet

Inserted sheet, 1928 - 2014

Otto Piene

Inserted sheet

Inserted sheet, 1928 - 2014

Otto Piene

Inserted sheet

Inserted sheet, 1928 - 2014

Otto Piene

Untitled (blank, left page); Untitled (landscape painted with left hand, right page)

Untitled (blank, left page); Untitled (landscape painted with left hand, right page), 1928 - 2014

Otto Piene

Untitled (blank, left page); Untitled (landscape painted with left hand, right page)

Untitled (blank, left page); Untitled (landscape painted with left hand, right page), 1928 - 2014

Otto Piene

Untitled (blank, left page); Untitled (landscape painted with left hand, right page)

Untitled (blank, left page); Untitled (landscape painted with left hand, right page), 1928 - 2014

Otto Piene

Untitled (blank, left page); Untitled (field painted with left hand, right page)

Untitled (blank, left page); Untitled (field painted with left hand, right page), 1928 - 2014

Otto Piene

A calm seascape of a small island with a gap between flat rocks in the foreground.

Buttresses of the First Christian Church, and Siga's Tomb at Sapapali, Samoa, 1835 - 1910

John La Farge

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