Study for Scorpio for "Phaethon," Museum of Fine Arts, Boston, 1856 - 1925
John Singer Sargent
The Monster Anzû, after a Neo-Assyrian Relief in the British Museum; verso: Lion-Headed Egyptian Divinity, 1856 - 1925
John Singer Sargent
Study of Three Archivolt Figures, Cathedral of León, Spain, 1856 - 1925
John Singer Sargent
Palmettos, 1856 - 1925
John Singer Sargent
The Dancing Faun, after the Antique, 1856 - 1925
John Singer Sargent
Study of an Egyptian Architectural Facade, 1856 - 1925
John Singer Sargent
Six Verses of a Spanish Poem/Song "Pelinera" (?); verso: Three lines of musical notations, 1856 - 1925
John Singer Sargent
Sketch of the Base of Cellini's "Perseus," Loggia dei Lanzi, Florence, 1856 - 1925
John Singer Sargent
Two Small Sketches of Cellini's "Perseus," Loggia dei Lanzi, Florence, 1856 - 1925
John Singer Sargent
Sketch of Trumpeting Angels, after a Tiepolo Ceiling Decoration, 1856 - 1925
John Singer Sargent
Detail of North Entrance, Cathedral, Plaza de la Almoina, Palma, Mallorca (Majorca), 1856 - 1925
John Singer Sargent
Architectural Sketch of Westminster Abbey, 1856 - 1925
John Singer Sargent
Falcon, Mummy, and Vulture, after an Egyptian original, 1856 - 1925
John Singer Sargent
Lion, after an Achaemenid Relief in the Louvre, 1856 - 1925
John Singer Sargent
Three-Quarter View of a Statue of a Seated Bishop, San Zenone, Verona, 1856 - 1925
John Singer Sargent
"Rape of the Sabines," after Giambologna, Loggia dei Lanzi, Florence, 1856 - 1925
John Singer Sargent
Ceiling at Denderah; verso: Two Colossi in the Desert, 1856 - 1925
John Singer Sargent
Crucifix and Church Dome with Inscription, 1856 - 1925
John Singer Sargent
Window with Coat of Arms, Palma, Mallorca (Majorca), 1856 - 1925
John Singer Sargent
Facade with Projecting Balcony, Casa de la Almoina, Palma, Mallorca (Majorca), 1856 - 1925
John Singer Sargent