Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
Untitled (bleed-through of previous page, left page); Untitled (notes and adhered photograph of Ernst-Reuter-Platz, right page)

Untitled (bleed-through of previous page, left page); Untitled (notes and adhered photograph of Ernst-Reuter-Platz, right page), 1928 - 2014

Otto Piene

Untitled (adhered notes and sketchs with bleed-through of previous page, left page); Untitled (notes and adhered sketches, right page)

Untitled (adhered notes and sketchs with bleed-through of previous page, left page); Untitled (notes and adhered sketches, right page), 1928 - 2014

Otto Piene

Untitled (adhered notes and sketchs with bleed-through of previous page, left page); Untitled (notes and adhered sketches, right page)

Untitled (adhered notes and sketchs with bleed-through of previous page, left page); Untitled (notes and adhered sketches, right page), 1928 - 2014

Otto Piene

Untitled (layout for duration of "Silberne Frequenz" in Münster, left page); Untitled (notes on duration of "Silberne Frequenz" in Münster, right page)

Untitled (layout for duration of "Silberne Frequenz" in Münster, left page); Untitled (notes on duration of "Silberne Frequenz" in Münster, right page), 1928 - 2014

Otto Piene

Untitled (stapled "Light Sculptures" price list atop notes, left page); Untitled (notes on prices for sculptures, right page)

Untitled (stapled "Light Sculptures" price list atop notes, left page); Untitled (notes on prices for sculptures, right page), 1928 - 2014

Otto Piene

Untitled (blank with color transfer left page); Untitled (notes and plate design with color transfer and bleed-through, right page)

Untitled (blank with color transfer left page); Untitled (notes and plate design with color transfer and bleed-through, right page), 1928 - 2014

Otto Piene

Untitled (bleed-through of previous page, left page); Untitled (color transfer and bleed-through of following page, right page)

Untitled (bleed-through of previous page, left page); Untitled (color transfer and bleed-through of following page, right page), 1928 - 2014

Otto Piene

Untitled (bleed-through of previous page, left page); Untitled (bleed-through of following page and color transfer, right page)

Untitled (bleed-through of previous page, left page); Untitled (bleed-through of following page and color transfer, right page), 1928 - 2014

Otto Piene

Untitled (bleed-through of abstract watercolor experimentation, left page); Untitled (bleed-through of abstract watercolor experimentation, right page)

Untitled (bleed-through of abstract watercolor experimentation, left page); Untitled (bleed-through of abstract watercolor experimentation, right page), 1928 - 2014

Otto Piene

Untitled (bleed-through of abstract watercolor experimentation, left page); Untitled (bleed-through of abstract watercolor experimentation, right page)

Untitled (bleed-through of abstract watercolor experimentation, left page); Untitled (bleed-through of abstract watercolor experimentation, right page), 1928 - 2014

Otto Piene

Untitled (bleed-through of abstract watercolor experimentation, left page); Untitled (bleed-through of abstract watercolor experimentation, right page)

Untitled (bleed-through of abstract watercolor experimentation, left page); Untitled (bleed-through of abstract watercolor experimentation, right page), 1928 - 2014

Otto Piene

Untitled (bleed-through of abstract watercolor experimentation, left page); Untitled (bleed-through of abstract watercolor experimentation, right page)

Untitled (bleed-through of abstract watercolor experimentation, left page); Untitled (bleed-through of abstract watercolor experimentation, right page), 1928 - 2014

Otto Piene

Corner of a Garden

Corner of a Garden, 1739 - 1805

Louis-Gabriel Moreau, called Moreau l'ainé

A drawing of four figures in an interior.

The Betrothal of Raphael and the Niece of Cardinal Bibbiena, 1780 - 1867

Jean-Auguste-Dominique Ingres

Before the Painting of M. Manet: "Why the devil is this fat woman in make-up and not much else called Olympia?" "But dear, maybe it's the black cat who's called that?"

Before the Painting of M. Manet: "Why the devil is this fat woman in make-up and not much else called Olympia?" "But dear, maybe it's the black cat who's called that?", 1808-1879

Honoré-Victorin Daumier

Gloucester Harbor and Dory

Gloucester Harbor and Dory, 1836 - 1910

Winslow Homer

Three Musicians

Three Musicians

Persian

Mask

Mask

Unidentified Artist

Mask

Mask

Unidentified Artist

Spring-Driven Musical Clock

Spring-Driven Musical Clock, 1780 - 1816

John Thwaites

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