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Untitled (notes, left page); Untitled (layout for duration of "Silberne Frequenz" in Münster, right page)

Untitled (notes, left page); Untitled (layout for duration of "Silberne Frequenz" in Münster, right page), 1928 - 2014

Otto Piene

Untitled (details and notes on "Silberne Frequenz" in Münster, left page); Untitled (notes, right page)

Untitled (details and notes on "Silberne Frequenz" in Münster, left page); Untitled (notes, right page), 1928 - 2014

Otto Piene

Untitled (blank, left page); Untitled (notes and bleed-through of following page, right page)

Untitled (blank, left page); Untitled (notes and bleed-through of following page, right page), 1928 - 2014

Otto Piene

Untitled (bleed-through of previous page, left page); Untitled (color transfer, right page)

Untitled (bleed-through of previous page, left page); Untitled (color transfer, right page), 1928 - 2014

Otto Piene

Untitled (bleed-through of previous page, left page); Untitled (notes and designs, right page)

Untitled (bleed-through of previous page, left page); Untitled (notes and designs, right page), 1928 - 2014

Otto Piene

Untitled (bleed-through of previous page, left page); Untitled (notes and designs, right page)

Untitled (bleed-through of previous page, left page); Untitled (notes and designs, right page), 1928 - 2014

Otto Piene

Untitled (bleed-through of previous page, left page); Untitled (notes and designs, right page)

Untitled (bleed-through of previous page, left page); Untitled (notes and designs, right page), 1928 - 2014

Otto Piene

Untitled (design for Rosenthal plate, left page); Untitled (design for Rosenthal plate, right page)

Untitled (design for Rosenthal plate, left page); Untitled (design for Rosenthal plate, right page), 1928 - 2014

Otto Piene

Untitled (signature, left page); Untitled (blank back endpaper with ink transfer, right page)

Untitled (signature, left page); Untitled (blank back endpaper with ink transfer, right page), 1928 - 2014

Otto Piene

Text (recto), Young Prince Accepts a Polo Ball from the Dervish (painting, verso), illustrated folio (28) from a Manuscript of the Guy u Chawgan by `Arifi

Text (recto), Young Prince Accepts a Polo Ball from the Dervish (painting, verso), illustrated folio (28) from a Manuscript of the Guy u Chawgan by `Arifi, flourished 1514-43

Calligraphy attributed to Mir Ali al Husayni

Votive Paintings (Emadō) of Peacock, Warrior with Gun and Pine and Sun, from the series of Seven for the Hisakataya Club (Hisakataya shichiban no uchi), with poems by Hisagataya and associates

Votive Paintings (Emadō) of Peacock, Warrior with Gun and Pine and Sun, from the series of Seven for the Hisakataya Club (Hisakataya shichiban no uchi), with poems by Hisagataya and associates, 1757 - 1820

Kubo Shunman 窪俊満

Votive Paintings (Emadō) of Camellias and Court Lady and Monk at Kiyomizu-dera, from the series of Seven for the Hisakataya Club (Hisakataya shichiban no uchi), with various poems

Votive Paintings (Emadō) of Camellias and Court Lady and Monk at Kiyomizu-dera, from the series of Seven for the Hisakataya Club (Hisakataya shichiban no uchi), with various poems, 1757 - 1820

Kubo Shunman 窪俊満

A color print shows a flowering poppy plant with an insect hovering above; Chinese writing and a seal are to the right.

Poppies and Insect, from the Mustard Seed Garden Manual of Painting (Jieziyuan Huapu 芥子園畫譜), Part 3: Grasses, Insects, and Flowers, Vol. 1

Chinese

Majnun as a Sheep Looking at Layla (painting, recto; text, verso), illustrated folio from a manuscript of Mantiq al-Tayr (Conference of the Birds) by Farid al-Din Attar (d. 1221)

Majnun as a Sheep Looking at Layla (painting, recto; text, verso), illustrated folio from a manuscript of Mantiq al-Tayr (Conference of the Birds) by Farid al-Din Attar (d. 1221)

Ottoman

Musa's Rod(?) Swallowing the Magician's Eyes (painting, recto; text, verso), folio 83 from a manuscript of the Qisas al-Anbiya (Tales of the Prophets) of Ishaq b. Ibrahim al-Nayshaburi

Musa's Rod(?) Swallowing the Magician's Eyes (painting, recto; text, verso), folio 83 from a manuscript of the Qisas al-Anbiya (Tales of the Prophets) of Ishaq b. Ibrahim al-Nayshaburi

Ottoman

Folio 50 from an Album of Drawings and Paintings: Sketch of Qajar man and four women (recto); Drawing set within a colored paper border: two women and a small child (verso)

Folio 50 from an Album of Drawings and Paintings: Sketch of Qajar man and four women (recto); Drawing set within a colored paper border: two women and a small child (verso)

Persian

Winged Quadruped with Duck Bill (painting, recto), Text (verso), folio 36 from Illustrated Manuscript of Tarjama-i Tarikh-i Yangi Dunya (Translation of the History of the New World)

Winged Quadruped with Duck Bill (painting, recto), Text (verso), folio 36 from Illustrated Manuscript of Tarjama-i Tarikh-i Yangi Dunya (Translation of the History of the New World)

Ottoman

Ghazals (recto and verso), The Beloved Contemplating His Beloved's Beauty (painting, verso), folio 56 from a Manuscript of the Divan of Hafiz with Two 19th-Century Miniatures Added

Ghazals (recto and verso), The Beloved Contemplating His Beloved's Beauty (painting, verso), folio 56 from a Manuscript of the Divan of Hafiz with Two 19th-Century Miniatures Added

Persian

Morning Glories

Morning Glories, 1832 - 1920

Samuel Colman

Bridge over a Canal, Venice, Italy

Bridge over a Canal, Venice, Italy, 1856 - 1926

Charles Stuart Forbes

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