Fac-simile of Ornamental Letters, from a French MS of the Thirteenth Century, in the British Museum, 1840 - 1930
Charles Herbert Moore
Reduced Study of a Distant Effect of a Portion of the "Procession and Miraculous Cure in the Piazza di San Marco," by Gentile Bellini, in the Academy, Venice, 1876-1877, 1840 - 1930
Charles Herbert Moore
The Young Syrian and the Page of Herodias, from Oscar Wilde's "Salome", 1879 - 1907
James Crichton
Untitled (four photographs, clockwise from the top center, The Indian Hunter; Madame La Colonelle, 1863; The Young Guardsman at 9 months. March/63; The Colonel in Canada. 1863), 1838-1903
Mary Georgiana Caroline Cecil Filmer
Untitled (three photographs, top, group photograph taken at Pitfour, October 1862; lower left, Lady Mary Filmer; lower right, Lady Filmer with infant, possibly Edmund Beversham Filmer (1862-63)), 1838-1903
Mary Georgiana Caroline Cecil Filmer
Botanist, 1906 - 1970
Juro Kubicêk
Pentagonal Game, 1917 - 2008
Edna Andrade
Fawn's Leap, Catskills, New York, 1812 - 1879
John William Hill
Baron Joseph de Podenas (1782-1851), 1808-1879
Honoré-Victorin Daumier
Abbott Lawrence Lowell (1856-1943), 1856 - 1925
John Singer Sargent
Scene in Venice, 1856 - 1926
Charles Stuart Forbes
Sweet Peas, 1840 - 1930
Charles Herbert Moore
Captain Caleb Coggeshall (1758-1847), 1766 - 1839
William Dunlap
Forms of Vishnu, Kalamkari textile
Indian
Ibrahim in a Fire (painting, recto; text, verso), folio 35 from a manuscript of the Qisas al-Anbiya (Tales of the Prophets) of Ishaq b. Ibrahim al-Nayshaburi
Ottoman
Folio 43 from an Album of Drawings and Paintings: Two sheets: feline; quails (recto); Two drawings: woman with fan; two women in European dress (verso)
Persian
Folio 52 from an Album of Drawings and Paintings: King on horseback embraced by angel (recto); Bust portrait of a young woman, probably Pourandokht, with tiara and headscarves (verso)
Persian
Potosi (painting, verso), Text (recto), folio 75 from Illustrated Manuscript of Tarjama-i Tarikh-i Yangi Dunya (Translation of the History of the New World)
Ottoman
Jaguar (painting, verso), Text (recto), folio 85 from Illustrated Manuscript of Tarjama-i Tarikh-i Yangi Dunya (Translation of the History of the New World)
Ottoman
Woman gazing at her reflection (Painting, recto; Text, verso of folio 23), illustrated folio from a manuscript of the Rawda al-Ushshaq (Garden of Lovers) of Arifi