Rama, Lakshmana, Bharata and Shatrughna in the arms of their mothers, while their father Dasharatha converses with priests (painting, recto; painting, verso), illustration from a Ramayana series
Indian
Double page: The Trial by Fire of Siyavush (painting, verso; text, recto), left-hand side of a double-page painting from a manuscript of the Shahnama by Firdawsi
Persian
Double page: The Trial by Fire of Siyavush (painting, verso; text, recto), right-hand side of a double-page painting from a manuscript of the Shahnama by Firdawsi
Persian
Lamp in the Shape of a Trussed Male Gazelle
Roman
Yueyang Pavilion (after Shao Zhenxian), 1723 - 1776
Ikeno Taiga 池大雅
Peach Blossom Spring (after Shao Zhenxian), 1723 - 1776
Ikeno Taiga 池大雅
Pines on Mount Tai (after Gao Qian [after Tang Yin]), 1723 - 1776
Ikeno Taiga 池大雅
Folio (text, recto and verso) preceding the illustrated folio depicting "Lovers' Picnic", from a manuscript of the Divan (Collected Works) of Hafiz , 16th century
Attributed to Sultan Muhammad
Illustrated Story of the Origin of Hashidate (Hashidate no honji), the Shrine at Ama no Hashidate
Japanese
Illustrated Story of the Origin of Hashidate (Hashidate no honji), the Shrine at Ama no Hashidate
Japanese
One of the Ten Kings of Hell
Chinese
Blossoming Branch of an Old, Weathered Plum Tree
Korean
A Pavilion Secluded in a Bamboo Grove, 1808 - 1893
Hŏ Ryŏn 허련 許鍊 (also known as So-ch'i and Ma-hil)
Enjoying the Mountain Scenery, 1808 - 1893
Hŏ Ryŏn 허련 許鍊 (also known as So-ch'i and Ma-hil)
Seated Chijang Posal (Chinese, Dizang Pusa; Sanskrit, Bodhisattva Ksitigarbha) Flanked by Monk Tomyŏng (Chinese, Daoming) and Demon King Mutok Kuiwang (Chinese, Wudu Guiwang) and Surrounded by the Ten Kings of Hell and Their Retinues
Korean
Landscape with a Figure Crossing a Bridge to Reach a Village Nestled in a Mountain Valley, 1707 - 1769
Shim Sa-chŏng (also known as Yi-suk ['cha']; Hyŏn-chae ['ho'])
Alms-Bowl Pond (Pal-yŏn) in the Diamond Mountains [Kŭm-kang-san], originally in an album depicting the "Complete Views of the Diamond Mountains" [Kŭm-kang chŏn-to], 1745 - 1806
Kim Hong-to (also known as Sa-nŭng ['cha']; Tan-wŏn ['ho'])
Verdant Cliffs at Ku-tam [Tortoise Lake], Tan-yang, probably originally from an album of eight leaves depicting "Eight Views of Tan-yang" [Tan-yang p'al-kyŏng], 1676 - 1759
Traditionally attributed to Chŏng Sŏn (also known as Wŏn-paek ['cha']; Kyŏm-chae ['ho'])
Orchid and Rock, 1855 - 1921
Kim Ŭng-wŏn (also spelled Gim Eung'won; also known as So-ho and Ch'ŏn-ram)
Landscape After Wang Meng's "Immortal Abode in the Pine Covered Mountains", 1632 - 1717
Wang Hui 王翬