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Untitled (bleed-through of previous page, left page); Untitled (hands holding globe with crowd below, right page)

Untitled (bleed-through of previous page, left page); Untitled (hands holding globe with crowd below, right page), 1928 - 2014

Otto Piene

Untitled (bleed-through of previous page, left page); Untitled (hands holding globe with crowd below, right page)

Untitled (bleed-through of previous page, left page); Untitled (hands holding globe with crowd below, right page), 1928 - 2014

Otto Piene

Untitled (bleed-through of previous page, left page); Untitled (hands holding globe with crowd below, right page)

Untitled (bleed-through of previous page, left page); Untitled (hands holding globe with crowd below, right page), 1928 - 2014

Otto Piene

Untitled (bleed-through of previous page, left page); Untitled ("Berlin Super Star" laser inflatable, right page)

Untitled (bleed-through of previous page, left page); Untitled ("Berlin Super Star" laser inflatable, right page), 1928 - 2014

Otto Piene

Untitled (details for duration of "Silberne Frequenz" in Münster, left page); Untitled (notes on "Silberne Frequenz" in Münster, right page)

Untitled (details for duration of "Silberne Frequenz" in Münster, left page); Untitled (notes on "Silberne Frequenz" in Münster, right page), 1928 - 2014

Otto Piene

Untitled (stapled notes atop designs, left page); Untitled (designs and notes on timing for "neon sculptures," right page)

Untitled (stapled notes atop designs, left page); Untitled (designs and notes on timing for "neon sculptures," right page), 1928 - 2014

Otto Piene

Untitled (bleed-through of previous page, left page); Untitled (notes with bleed-through of following page, right page)

Untitled (bleed-through of previous page, left page); Untitled (notes with bleed-through of following page, right page), 1928 - 2014

Otto Piene

Untitled (bleed-through of previous page, left page); Untitled (notes with bleed-through of following page, right page)

Untitled (bleed-through of previous page, left page); Untitled (notes with bleed-through of following page, right page), 1928 - 2014

Otto Piene

Untitled (bleed-through of previous page, left page); Untitled (design and note with faint color transfer, right page)

Untitled (bleed-through of previous page, left page); Untitled (design and note with faint color transfer, right page), 1928 - 2014

Otto Piene

Untitled (blank with faint color transfer, left page); Untitled (notes and rainbow-colored fabric swatches, right page)

Untitled (blank with faint color transfer, left page); Untitled (notes and rainbow-colored fabric swatches, right page), 1928 - 2014

Otto Piene

Purple Inkstone of the Ming Dynasty (Minchō shiken) Vol. 1; after “Living Garden of Ming-dynasty Painting” (Minchō Seidō Gaen) originally published by Ooka Shumboku (1680-1763) in 1746

Purple Inkstone of the Ming Dynasty (Minchō shiken) Vol. 1; after “Living Garden of Ming-dynasty Painting” (Minchō Seidō Gaen) originally published by Ooka Shumboku (1680-1763) in 1746

Hishiya Magobei

Purple Inkstone of the Ming Dynasty (Minchō shiken) Vol. 2; after “Living Garden of Ming-dynasty Painting” (Minchō Seidō Gaen) originally published by Ooka Shumboku (1680-1763) in 1746

Purple Inkstone of the Ming Dynasty (Minchō shiken) Vol. 2; after “Living Garden of Ming-dynasty Painting” (Minchō Seidō Gaen) originally published by Ooka Shumboku (1680-1763) in 1746

Hishiya Magobei

Purple Inkstone of the Ming Dynasty (Minchō shiken) Vol. 3; after “Living Garden of Ming-dynasty Painting” (Minchō Seidō Gaen) originally published by Ooka Shumboku (1680-1763) in 1746

Purple Inkstone of the Ming Dynasty (Minchō shiken) Vol. 3; after “Living Garden of Ming-dynasty Painting” (Minchō Seidō Gaen) originally published by Ooka Shumboku (1680-1763) in 1746

Hishiya Magobei

Crow Teaching Qabil (Cain) how to Bury his Brother (painting, recto; text, verso), folio 18 from a manuscript of the Qisas al-Anbiya (Tales of the Prophets) of Ishaq b. Ibrahim al-Nayshaburi

Crow Teaching Qabil (Cain) how to Bury his Brother (painting, recto; text, verso), folio 18 from a manuscript of the Qisas al-Anbiya (Tales of the Prophets) of Ishaq b. Ibrahim al-Nayshaburi

Ottoman

Mahiya frees Zambur, Beheads his sleeping guards, and suspends Gharrad in his stead (painting, verso); Nine Lines of Nasta‘liq Script (text, recto), illustrated folio from a manuscript of the Hamzanama

Mahiya frees Zambur, Beheads his sleeping guards, and suspends Gharrad in his stead (painting, verso); Nine Lines of Nasta‘liq Script (text, recto), illustrated folio from a manuscript of the Hamzanama, 16th century

Attributed to Mir Sayyid ‘Ali

Purple Inkstone of the Ming Dynasty (Minchō shiken) in 3 volumes; after “Living Garden of Ming-dynasty Painting” (Minchō Seidō Gaen) originally published by Ooka Shumboku (1680-1763) in 1746

Purple Inkstone of the Ming Dynasty (Minchō shiken) in 3 volumes; after “Living Garden of Ming-dynasty Painting” (Minchō Seidō Gaen) originally published by Ooka Shumboku (1680-1763) in 1746

Hishiya Magobei

"Good wife..., since we won't have time to see everything in one day, you look at the paintings on the right side...I'll look at those on the left..."

"Good wife..., since we won't have time to see everything in one day, you look at the paintings on the right side...I'll look at those on the left...", 1808-1879

Honoré-Victorin Daumier

Layla and Majnun before the King Who Sees the Divine in Everything (painting recto, text verso of folio 33) from a manuscript of Subhat al-abrar by Jami

Layla and Majnun before the King Who Sees the Divine in Everything (painting recto, text verso of folio 33) from a manuscript of Subhat al-abrar by Jami

The Arms of Matthias Polan

The Arms of Matthias Polan

Unidentified Artist

Spectators Watching a Stage Performance

Spectators Watching a Stage Performance, 1607 - 1641

Johann Wilhelm Baur

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