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Bird Flying Amidst Plum Blossoms -- Illustration from the Ten Bamboo Studio Manual of Calligraphy and Painting (Shizhuzhai shuhua pu)

Bird Flying Amidst Plum Blossoms -- Illustration from the Ten Bamboo Studio Manual of Calligraphy and Painting (Shizhuzhai shuhua pu), c. 1582 -1672

Hu Zhengyan 胡正言

Fruit (Persimmon and Three Yellow Tangerines) -- Illustration from the Ten Bamboo Studio Manual of Calligraphy and Painting (Shizhuzhai shuhua pu)

Fruit (Persimmon and Three Yellow Tangerines) -- Illustration from the Ten Bamboo Studio Manual of Calligraphy and Painting (Shizhuzhai shuhua pu), c. 1582 -1672

Hu Zhengyan 胡正言

Fruit (Three Buddha's Hand Citrons) -- Illustration from the Ten Bamboo Studio Manual of Calligraphy and Painting (Shizhuzhai shuhua pu)

Fruit (Three Buddha's Hand Citrons) -- Illustration from the Ten Bamboo Studio Manual of Calligraphy and Painting (Shizhuzhai shuhua pu), c. 1582 -1672

Hu Zhengyan 胡正言

Two Black Carp, Sketch of Panel Painting at the Shinobazu Shrine (Shinobazu tennyo-gū hengaku utsushi), with poems by Inakojonin and associates

Two Black Carp, Sketch of Panel Painting at the Shinobazu Shrine (Shinobazu tennyo-gū hengaku utsushi), with poems by Inakojonin and associates, 1757 - 1820

Kubo Shunman 窪俊満

Three Men Talking, for "Jason Returning..."

Three Men Talking, for "Jason Returning...", 1779 - 1843

Washington Allston

Pastel drawing of seated woman and standing child

Mother and Child, 1834 - 1903

James Abbott McNeill Whistler

Two Seated Men (drawing attributed to Bihzad), with Verses about the Inconstancy of Prophetic Vision by Sa'di (calligraphy, verso); Temptation with Wine (painting, recto); folio from an album

Two Seated Men (drawing attributed to Bihzad), with Verses about the Inconstancy of Prophetic Vision by Sa'di (calligraphy, verso); Temptation with Wine (painting, recto); folio from an album , 15th -16th century

Attributed to Bihzad

Bird of Paradise (painting, recto), Text (verso), folio 33 from Illustrated Manuscript of Tarjama-i Tarikh-i Yangi Dunya (Translation of the History of the New World)

Bird of Paradise (painting, recto), Text (verso), folio 33 from Illustrated Manuscript of Tarjama-i Tarikh-i Yangi Dunya (Translation of the History of the New World)

Ottoman

Horned Quadruped (painting, verso), Text (recto), folio 65 from Illustrated Manuscript of Tarjama-i Tarikh-i Yangi Dunya (Translation of the History of the New World)

Horned Quadruped (painting, verso), Text (recto), folio 65 from Illustrated Manuscript of Tarjama-i Tarikh-i Yangi Dunya (Translation of the History of the New World)

Ottoman

Coconut Tree (painting, verso), Text (recto), folio 87 from Illustrated Manuscript of Tarjama-i Tarikh-i Yangi Dunya (Translation of the History of the New World)

Coconut Tree (painting, verso), Text (recto), folio 87 from Illustrated Manuscript of Tarjama-i Tarikh-i Yangi Dunya (Translation of the History of the New World)

Ottoman

Majnun and Layla Embracing Surrounded by Wild Animals (painting, verso), Text (recto), illustrated folio (70) from a Manuscript of the Khamsa by Amir Khusraw of Delhi (d. 1325)

Majnun and Layla Embracing Surrounded by Wild Animals (painting, verso), Text (recto), illustrated folio (70) from a Manuscript of the Khamsa by Amir Khusraw of Delhi (d. 1325)

Persian

Folio 22 from an Album of Drawings and Paintings: Sheet of portrait sketches and flowers (recto); Two sheets: dog and decorative frames; kneeling couple and mixed bouquet (verso)

Folio 22 from an Album of Drawings and Paintings: Sheet of portrait sketches and flowers (recto); Two sheets: dog and decorative frames; kneeling couple and mixed bouquet (verso)

Persian

Majnun Sees the Battle between his Tribe and Layla's (painting with text, verso; text, recto of folio 46) illustrated folio from a Manuscript of Layla and Majnun by Hamdi

Majnun Sees the Battle between his Tribe and Layla's (painting with text, verso; text, recto of folio 46) illustrated folio from a Manuscript of Layla and Majnun by Hamdi

Ottoman

Parrots and Turkey (painting, verso), Text (recto), folio 6 from Illustrated Manuscript of Tarjama-i Tarikh-i Yangi Dunya (Translation of the History of the New World)

Parrots and Turkey (painting, verso), Text (recto), folio 6 from Illustrated Manuscript of Tarjama-i Tarikh-i Yangi Dunya (Translation of the History of the New World)

Ottoman

Cactus and Reeds (painting, verso), Text (recto), folio 89 from Illustrated Manuscript of Tarjama-i Tarikh-i Yangi Dunya (Translation of the History of the New World)

Cactus and Reeds (painting, verso), Text (recto), folio 89 from Illustrated Manuscript of Tarjama-i Tarikh-i Yangi Dunya (Translation of the History of the New World)

Ottoman

A Prophet on a Prayer Rug (painting, recto; text, verso), folio 104 from a manuscript of the Qisas al-Anbiya (Tales of the Prophets) of Ishaq b. Ibrahim al-Nayshaburi

A Prophet on a Prayer Rug (painting, recto; text, verso), folio 104 from a manuscript of the Qisas al-Anbiya (Tales of the Prophets) of Ishaq b. Ibrahim al-Nayshaburi

Ottoman

Prophet Preaching in a Mosque (painting, verso; text, recto), folio 5 from a manuscript of the Qisas al-Anbiya (Tales of the Prophets) of Ishaq b. Ibrahim al-Nayshaburi

Prophet Preaching in a Mosque (painting, verso; text, recto), folio 5 from a manuscript of the Qisas al-Anbiya (Tales of the Prophets) of Ishaq b. Ibrahim al-Nayshaburi

Ottoman

Nuh (Noah) in the Ark (painting, recto; text, verso), folio 24 from a manuscript of the Qisas al-Anbiya (Tales of the Prophets) of Ishaq b. Ibrahim al-Nayshaburi

Nuh (Noah) in the Ark (painting, recto; text, verso), folio 24 from a manuscript of the Qisas al-Anbiya (Tales of the Prophets) of Ishaq b. Ibrahim al-Nayshaburi

Ottoman

Untitled (watercolor drawing, loose in album, once glued over an albumen silver print of Lady Mary Filmer (P1982.359.7B) mounted to page with metallic paint decoration with inscription)

Untitled (watercolor drawing, loose in album, once glued over an albumen silver print of Lady Mary Filmer (P1982.359.7B) mounted to page with metallic paint decoration with inscription), 1838-1903

Mary Georgiana Caroline Cecil Filmer

Tizhaw kills Bahram (text recto and verso of folio 176, painting recto; text verso of folio 177), Illustrated double folio from a manuscript of the Shahnama by Firdawsi

Tizhaw kills Bahram (text recto and verso of folio 176, painting recto; text verso of folio 177), Illustrated double folio from a manuscript of the Shahnama by Firdawsi

Indian

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