Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
Lingzhi Fungus and Rocks in Circular Fan Shape -- Illustration from the Ten Bamboo Studio Manual of Calligraphy and Painting (Shizhuzhai shuhua pu)

Lingzhi Fungus and Rocks in Circular Fan Shape -- Illustration from the Ten Bamboo Studio Manual of Calligraphy and Painting (Shizhuzhai shuhua pu), c. 1582 -1672

Hu Zhengyan 胡正言

Plum Blossom Branch in Circular Fan Shape -- Illustration from the Ten Bamboo Studio Manual of Calligraphy and Painting (Shizhuzhai shuhua pu)

Plum Blossom Branch in Circular Fan Shape -- Illustration from the Ten Bamboo Studio Manual of Calligraphy and Painting (Shizhuzhai shuhua pu), c. 1582 -1672

Hu Zhengyan 胡正言

Lotus and Flowering Branch in Circular Fan Shape -- Illustration from the Ten Bamboo Studio Manual of Calligraphy and Painting (Shizhuzhai shuhua pu)

Lotus and Flowering Branch in Circular Fan Shape -- Illustration from the Ten Bamboo Studio Manual of Calligraphy and Painting (Shizhuzhai shuhua pu), c. 1582 -1672

Hu Zhengyan 胡正言

Orchids and Lingzhi Fungus in Circular Fan Shape -- Illustration from the Ten Bamboo Studio Manual of Calligraphy and Painting (Shizhuzhai shuhua pu)

Orchids and Lingzhi Fungus in Circular Fan Shape -- Illustration from the Ten Bamboo Studio Manual of Calligraphy and Painting (Shizhuzhai shuhua pu), c. 1582 -1672

Hu Zhengyan 胡正言

Fruit (Three Yellow Oranges on a Barkwood Dish) -- Illustration from the Ten Bamboo Studio Manual of Calligraphy and Painting (Shizhuzhai shuhua pu)

Fruit (Three Yellow Oranges on a Barkwood Dish) -- Illustration from the Ten Bamboo Studio Manual of Calligraphy and Painting (Shizhuzhai shuhua pu), c. 1582 -1672

Hu Zhengyan 胡正言

"Well, if you look at this painting really closely, you can discover certain qualities, you can see its coloring is good."

"Well, if you look at this painting really closely, you can discover certain qualities, you can see its coloring is good.", 1808-1879

Honoré-Victorin Daumier

Pulling Yusuf from the Well (text recto; painting verso of folio 53); illustrated folio from a manuscript of Yusuf and Zulaykha by Nizami

Pulling Yusuf from the Well (text recto; painting verso of folio 53); illustrated folio from a manuscript of Yusuf and Zulaykha by Nizami

Persian

Yusuf Tells His Story (text recto; painting verso of folio 64); illustrated folio from a manuscript of Yusuf and Zulaykha by Nizami

Yusuf Tells His Story (text recto; painting verso of folio 64); illustrated folio from a manuscript of Yusuf and Zulaykha by Nizami

Persian

Zulaykha Stops Yusuf As A Beggar (painting recto; text verso of folio 113); illustrated folio from a manuscript of Yusuf and Zulaykha by Nizami

Zulaykha Stops Yusuf As A Beggar (painting recto; text verso of folio 113); illustrated folio from a manuscript of Yusuf and Zulaykha by Nizami

Persian

Black brass door knocker in form of nude man with two sea horses.

Door Knocker with Neptune and Sea Horses, 1525 - 1608

Alessandro Vittoria

Still Life

Still Life, 1891 - 1930

Preston Dickinson

Parody of the Nō Play Hakurakuten (Two Figures Standing in Boats: Chinese Scholar Holding an Ink Orchid Painting and Japanese Girl Holding a Harunobu Bijin Pillar Print Scroll)

Parody of the Nō Play Hakurakuten (Two Figures Standing in Boats: Chinese Scholar Holding an Ink Orchid Painting and Japanese Girl Holding a Harunobu Bijin Pillar Print Scroll), 1725-1770

Suzuki Harunobu 鈴木春信

Ibrahim Preparing to Sacrifice Isaac (painting, verso; text, recto), folio 43 from a manuscript of the Qisas al-Anbiya (Tales of the Prophets) of Ishaq b. Ibrahim al-Nayshaburi

Ibrahim Preparing to Sacrifice Isaac (painting, verso; text, recto), folio 43 from a manuscript of the Qisas al-Anbiya (Tales of the Prophets) of Ishaq b. Ibrahim al-Nayshaburi

Ottoman

Isfandiyar's Third Course; He Slays the Dragon (painting, verso), Isfandiyar's Second Course; He Slays the Lions (text, recto), folio from a manuscript of the Shahnama of Firdawsi

Isfandiyar's Third Course; He Slays the Dragon (painting, verso), Isfandiyar's Second Course; He Slays the Lions (text, recto), folio from a manuscript of the Shahnama of Firdawsi

Persian

Untitled (bleed-through of previous page, left page); Untitled (blank, right page)

Untitled (bleed-through of previous page, left page); Untitled (blank, right page), 1928 - 2014

Otto Piene

Untitled (bleed-through of previous page, left page); Untitled (inflatable, right page)

Untitled (bleed-through of previous page, left page); Untitled (inflatable, right page), 1928 - 2014

Otto Piene

Untitled (bleed-through of previous page, left page); Untitled (inflatable, right page)

Untitled (bleed-through of previous page, left page); Untitled (inflatable, right page), 1928 - 2014

Otto Piene

Untitled (bleed-through of previous page, left page); Untitled (inflatable, right page)

Untitled (bleed-through of previous page, left page); Untitled (inflatable, right page), 1928 - 2014

Otto Piene

Untitled (bleed-through of previous page, left page); Untitled (notes, right page)

Untitled (bleed-through of previous page, left page); Untitled (notes, right page), 1928 - 2014

Otto Piene

Untitled (bleed-through of previous page, left page); Untitled (notes, right page)

Untitled (bleed-through of previous page, left page); Untitled (notes, right page), 1928 - 2014

Otto Piene

<<<428429430431 >>>