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Saint Mary-ad-Murum Church, Colchester

Saint Mary-ad-Murum Church, Colchester, 1776 - 1837

John Constable

A Spacious or Extensive Landscape, after Alexander Cozens

A Spacious or Extensive Landscape, after Alexander Cozens, 1776 - 1837

John Constable

Warwick from Priory Park; verso: The Castle Wall and Bridge, Warwick

Warwick from Priory Park; verso: The Castle Wall and Bridge, Warwick, 1776 - 1837

John Constable

A Landscape with a Church Tower and a House

A Landscape with a Church Tower and a House, 1776 - 1837

John Constable

Farmhouse by the Water

Farmhouse by the Water, 1776 - 1837

John Constable

Landscape with a Farmhouse

Landscape with a Farmhouse, 1776 - 1837

John Constable

Cottage Beneath a Spreading Tree

Cottage Beneath a Spreading Tree, 1776 - 1837

John Constable

A Jewish Model

A Jewish Model, 1776 - 1837

John Constable

A Cart and a Horse

A Cart and a Horse, 1776 - 1837

John Constable

Leatherhead Church, near Epsom, from the Northwest

Leatherhead Church, near Epsom, from the Northwest, 1776 - 1837

John Constable

Rustics with Sheep and Goats in a Rocky Landscape

Rustics with Sheep and Goats in a Rocky Landscape, 1805 - 1881

Samuel Palmer

Fortuna followed by cherub in the clouds

Fortuna followed by cherub in the clouds, c. 1550 - 1620

Scarsellino (Ippolito Scarsella)

Angel of Suffering, for St. Catherine Window, Christ Church, Oxford; verso: blank

Angel of Suffering, for St. Catherine Window, Christ Church, Oxford; verso: blank, 1833 - 1898

Edward Burne-Jones

A large open plaza, in front of a cathedral, and flanked by colonnaded three storey buildings on either side

Piazza San Marco, Venice, 1697 - 1768

Giovanni Antonio Canal, called Canaletto

Timur Celebrates His Conquest of Delhi (painting, verso; text, recto), illustrated folio from the Zafarnama (Book of Victory) of Sharaf al-Din 'Ali Yazdi

Timur Celebrates His Conquest of Delhi (painting, verso; text, recto), illustrated folio from the Zafarnama (Book of Victory) of Sharaf al-Din 'Ali Yazdi

Persian

Kay Khusraw Reviews His Troops (painting, verso; text, recto), folio from a manuscript of the Shahnama by Firdawsi

Kay Khusraw Reviews His Troops (painting, verso; text, recto), folio from a manuscript of the Shahnama by Firdawsi

Persian

Humay in the Golden Fortress (painting, verso), Text (recto), folio 63 from a Manuscript of Humay va Humayun by Khwaju Kirmani

Humay in the Golden Fortress (painting, verso), Text (recto), folio 63 from a Manuscript of Humay va Humayun by Khwaju Kirmani

Persian

Humay at the Castle of Humayun (painting, recto), Text (verso), folio 96 from a Manuscript of Humay va Humayun by Khwaju Kirmani

Humay at the Castle of Humayun (painting, recto), Text (verso), folio 96 from a Manuscript of Humay va Humayun by Khwaju Kirmani

Persian

Humayun Fights with Humay (painting, recto), Text (verso), folio 119 from a Manuscript of Humay va Humayun by Khwaju Kirmani

Humayun Fights with Humay (painting, recto), Text (verso), folio 119 from a Manuscript of Humay va Humayun by Khwaju Kirmani

Persian

Painting, verso; Text, recto of folio 19, illustrated folio from a manuscript of the Kitab-i Mihasikü’l-Hacc by Mevlana Jami

Painting, verso; Text, recto of folio 19, illustrated folio from a manuscript of the Kitab-i Mihasikü’l-Hacc by Mevlana Jami

Ottoman

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